Abstract
In an assessment of President Barack Obama’s performance one year after he took office, Junot Diaz emphasizes the importance of story in strategies of self-representation. “A President can have all the vision in the world, be an extraordinary orator and a superb politician, have courage and foresight and a willingness to make painful choices, have a bold progressive plan for his nation,” Diaz writes, “but none of these things will matter a wit if the President cannot couch his vision, his policies, his courage, his will, his plan in the idiom of story.” He goes on to conclude that “ideas are wonderful things, but unless they’re couched in a good story they can do nothing.”1
A man cannot withstand a story, even if the man is remarkable and the story is simple. The story always wins.
—Junot Diaz
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Notes
Junot Diaz, “One Year: Storyteller-In-Chief,” New Yorker, News Desk, January 20, 2010, http://www.newyorker.com/online/blogs/newsdesk/2010/01/one-year-storyteller-in-chief.html#ixzz0hb43r0tx.
Pradnya Joshi, “A Charlie Chan Film Stirs an Old Controversy,” March 7, 2010, http://www.nytimes.com/2010/03/08/business/media/08chan.html.
Adena Rosmarin, The Tower of Genre (Minneapolis: University of Minnesota Press, 1986): 12.
Damien Broderick, Reading by Starlight: Postmodern Science Fiction (London: Routledge, 1995): 51.
For a more comprehensive history of the evolution of “yellow peril” images in science fiction, see Stephen Hong Sohn’s introduction to the special issue of MELUS on Asian American science fiction, “Alien/Asian: Imagining the Racialized Future,” MELUS 33.4 (Winter 2008): 5–22. Also see my “Premodern Orientalist Science Fictions” for analyses of what I identify as premodern techno-Orientalist tropes in Ursula K. Le Guin’s and Philip K. Dick’s novels, particularly The Lathe of Heaven and The Man in the High Castle, respectively.
Quoted in Gerald Graff, Professing Literature (Chicago: University of Chicago Press, 1987): 1.
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© 2010 Betsy Huang
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Huang, B. (2010). Conclusion: The Genre is the Message. In: Contesting Genres in Contemporary Asian American Fiction. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230117327_5
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DOI: https://doi.org/10.1057/9780230117327_5
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