Abstract
In the third chapter in Part 2 (2.3) the extent to which contemporary performance has sited itself in mountains is examined, using the festival of Persepolis, in Shiraz in Iran, as a departing point to trace how recent site-related performance work has interpreted one localised mountainous landscape: Snowdonia. The works of Louise Ann Wilson, Kate Lawrence and David Shearing are treated as separate case studies and as exemplars of site-sensitive contemporary practice in mountains.
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Pitches, J. (2020). Part 2.3 Mountain Site-Related Performance. In: Performing Mountains. Performing Landscapes. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-55601-1_8
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