Abstract
This chapter focuses upon the visual space of musical numbers: their representation and perception. It makes use of virtual reconstructions to aid in this analysis. Firstly, it argues that ‘forensic analysis’ should be championed utilising a number of different methods; secondly, that visual space is perceived in a multi-sensory manner thereby challenging the ocularcentrism common in Film Studies; and thirdly, that the (visual) space can be extended from the frame of the scene.
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Carroll, B. (2016). Visual Space. In: Feeling Film. Palgrave Studies in Audio-Visual Culture. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-53936-6_4
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DOI: https://doi.org/10.1057/978-1-137-53936-6_4
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Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-53935-9
Online ISBN: 978-1-137-53936-6
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