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Cultural Pedagogies—Action Sports

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Women in Action Sport Cultures

Part of the book series: Global Culture and Sport Series ((GCS))

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Abstract

University courses that the author teaches by using surfing and snowboarding history/culture as the classes’ focal points, originate this essay. The reader will learn about the courses’ focus on critique of hegemony, culture, sport’s nature/origin, and authenticity; and the reader will be provided examples of how gender and race studies permeate the courses. Intertwined throughout the work are thoughts on the epistemology and ontology of teacher-bodies; identification of key works and media; writings from students; and an accounting of the struggles involved in proposing an action-sports cultural-studies media course in a university fixated on industrial, scientific, and military endeavors. The author uses her long evolving engagement with Roland Barthes’ (1979, 2005) idea of “phantasmic teaching” to frame the chapter.

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Notes

  1. 1.

    “A bricoleur…makes do with whatever is at hand…the bricoleur’s method is a poetic making do, a construction, making something new that was not there before” (Weinstein & Weinstein, 1991, p. 161 as quoted by Denzin, 2010, p. 33).

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Sydnor, S. (2016). Cultural Pedagogies—Action Sports. In: Thorpe, H., Olive, R. (eds) Women in Action Sport Cultures. Global Culture and Sport Series. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-45797-4_17

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  • DOI: https://doi.org/10.1057/978-1-137-45797-4_17

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  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-137-45796-7

  • Online ISBN: 978-1-137-45797-4

  • eBook Packages: Social SciencesSocial Sciences (R0)

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