Abstract
This chapter outlines pertinent aesthetic, narrative, and cultural considerations. It identifies performance as one aspect of independent films influenced by aesthetic traditions ranging from naturalism to postmodernism. It describes performance details (e.g., a giddy laugh, a tilt of the head) as elements that combine with other stylistic and narrative choices to convey tangible impressions about characters and stories. The chapter identifies the distinction between films’ seamless to stylized presentation of performance and matters directly related to acting. These include the observable qualities in performers’ physical and vocal expression, and their implicit underlying dramatic actions (coaxing, warning), which are distinct from stage business (e.g., making a drink). Matters related to performance also include the inferences different audiences might make based on performers’ physical appearance, previous performances, and public visibility. Building on scholarship that illustrates independent films’ departures from classical narration, the discussion shows that performances are a crucial component of independent films because their narratives tend to emphasize character rather than plot, and reflection rather than suspense. The chapter highlights independent films’ use of first-time actors, which directs audience attention to performers’ physical/vocal expression and physiognomies, which can carry specific cultural connotations.
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Baron, C., Tzioumakis, Y. (2020). Acting and Aesthetics in American Independent Cinema. In: Acting Indie. Palgrave Studies in Screen Industries and Performance. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-40863-1_3
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