Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-27T19:43:00.823Z Has data issue: false hasContentIssue false
  • English
  • Français

Crossing the “Exaggerated Boundaries” of Black Sea Culture: Turkish Themes in the Work of Odessa Natives Ilf and Petrov

Published online by Cambridge University Press:  21 July 2015

Charles Sabatos
Charles Sabatos*
Affiliation:
University of Michigan, Ann Arbor
Get access Rights & Permissions [Opens in a new window]

Extract

One of the most significant developments in literary studies over the last twenty years has been the postcolonial discourse that emerged with Edward Said's groundbreaking Orientalism, which has been enormously beneficial in heightening awareness of a set of Western assumptions that had gone virtually unquestioned for centuries.

One of Said's role models, whom he mentions in both Orientalism and Culture and Imperialism and discusses at greatest length in his essay “Secular Criticism,” is Erich Auerbach, the Jewish-German scholar who wrote the literary history Mimesis during his exile in Istanbul. Auerbach's own explanation of his situation in exile occurs at the very end of Mimesis: “I may also mention that the book was written during the war and at Istanbul, where the libraries are not equipped for European studies …. On the other hand, it is quite possible that the book owes its existence to just this lack of a rich and specialized library” (Auerbach 1953, p. 557).

Type
Articles
Information
New Perspectives on Turkey , Volume 24 , Spring 2001 , pp. 83 - 104
Copyright
Copyright © New Perspectives on Turkey 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adivar, Halide Edip. 1926. Memoirs of Halide Edip. London: The Century Co.Google Scholar
Adivar, Halide Edip 1927. The Clown and His Daughter. London: Allen & Unwin.Google Scholar
And, Metin. 1975. Karagöz: Turkish Shadow Theatre. Ankara: Dost Yayınları.Google Scholar
Ascherson, Neal. 1995. Black Sea: The Birthplace of Civilization and Barbarism. New York: Hill and Wang.Google Scholar
Auerbach, Erich. 1953. Mimesis. Trans. Trask, Willard. Princeton, N.J.: Princeton University Press.Google Scholar
Babel, Isaac. 1955. The Collected Stories. New York: Criterion.Google Scholar
Bakhtin, Mikhail. 1981. The Dialogical Imagination. Trans. Emerson, Caryl and Holquist, Michael. Austin: University of Texas Press.Google Scholar
Bakhtin, Mikhail 1968. Rabelais and His World. Trans. Iswolsky, Helene. Cambridge, Mass.: MIT Press.Google Scholar
Bann, Stephen, and Bowlt, John E., eds. 1973. Russian Formalism. Edinburgh: Scottish Academic Press.Google Scholar
Campbell, Joseph. 1949. The Hero with a Thousand Faces. Princeton, N.J.: Princeton University Press.Google Scholar
Diment, Galya. 1996. “The Odessa School of Writers: Russia’s Other’ Modernists.” n.p.Google Scholar
Herlihy, Patricia. 1986. Odessa: A History, 1794-1914 Cambridge, Mass.: Harvard University Press.Google Scholar
Ilf, [Ilya], and [Evgeny] Petrov. 1937. Little Golden America. Trans, by Malamuth, Charles. New York: Farrar & Rinehart.Google Scholar
Ilf, 1961. The Twelve Chairs. Trans. Richardson, John H. C.. New York: Vintage.Google Scholar
Ilf, 1962. The Golden Calf. Trans. Richardson, John H. C.. New York: Random House.Google Scholar
Kaynak, İsmail. 1976. Aleksandr Sergeeviç Puşkin’de Türk-Islâm Kültürünün İzleri. Ankara: Ayyıldız Matbaası.Google Scholar
Klanderud, Paul. 1996. “Language Control and Dehumanization in Ilf and Petrov’s Poetic World,” Slavic and East European Journal 40 (3), pp. 445-46.CrossRefGoogle Scholar
Paustovsky, Konstantin. 1964. The Story of a Life. Trans. Barnes, Joseph. New York: Pantheon.Google Scholar
Peterson, Dale E. 2000. Up From Bondage: The Literatures of Russian and African-American Soul. Durham, N.C.: Duke University Press.Google Scholar
Prieto, Jose Manuel. 2000. Nocturnal Butterflies of the Russian Empire. Trans. Carol, and Christensen, Thomas. New York: Grove Press.Google Scholar
Reiss, Tom. 1999. “The Man from the East,” The New Yorker, 4 October, pp. 78–92.Google Scholar
Said, Edward. 1993. The World, the Text and the Critic. Cambridge, Mass.: Harvard University Press.Google Scholar
Said, Kurban [Lev Nussimbaum]. 1971. Ali and Nino. New York: Random House.Google Scholar
Shceglov, Yuri. 1990. “Romany I. Il’fa i E. Petrovą: Sputnik chitatelia,” Wiener Slawistischer Almanach, pp. 25–26.Google Scholar
Shklovsky, Viktor. 1973. “The Connection between Devices of Syuzhet Construction and General Stylistic Devices,” in Russian Formalism, ed. Bann, Stephen and Bowlt, John E.. Edinburgh:Scottish Academic Press.Google Scholar
Toman, Jindrich. 1995. The Magic of a Common Language. Cambridge, Mass.: MIT Press.Google Scholar
Wolff, Larry. 1994. Inventing Eastern Europe. Stanford, Calif.: Stanford University Press.Google Scholar
Zakharov, Igor. 1997. “A New Tale of Anti-Hero Ostap Bender,” St. Petersburg Times, 22 September, p. 1.Google Scholar
Zipperstein, Stephen J. 1985. The Jews of Odessa: A Cultural History, 1794-1881. Stanford, Calif.: Stanford University Press.Google Scholar