Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-23T17:53:09.792Z Has data issue: false hasContentIssue false

The poetry of rock: song lyrics are not poems but the words still matter; another look at Richard Goldstein's collection of rock lyrics

Published online by Cambridge University Press:  03 February 2010

Pete Astor
Affiliation:
Goldsmiths College, London, UK

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © Cambridge University Press 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Christgau, R. 1967. Rock Lyrics Are Poetry (Maybe) [online], available from: http://www.robertchristgau.com/xg/music/lyrics-che.php (accessed 26 February 2009)Google Scholar
Crowe, C. 1985. Liner notes to Biograph (Sony Columbia)Google Scholar
Frith, S. 1988. Music for Pleasure: Essays in the Sociology of Pop (New York, Routledge)Google Scholar
Frith, S. 1996. Performing Rites: On the Value of Popular Music (Oxford, Oxford University Press)Google Scholar
Frith, S., and Goodwin, A. (eds.) 1990. On Record: Rock, Pop and the Written Word (London, Routledge)Google Scholar
Goldstein, R. 1969. The Poetry of Rock (New York, Bantam)Google Scholar
Gracyk, T. 1996. Rhythm and Noise (London, I.B. Taurus)Google Scholar
Gray, M. 1973. Song and Dance Man: the Art of Bob Dylan (London, Abacus)Google Scholar
Griffiths, D. 2003. ‘From lyric to anti lyric: analysing the words in pop song’, In Analysing Popular Music, ed. Moore, A. (Cambridge, Cambridge University Press)Google Scholar
Horton, D. 1957. ‘The dialogue of courtship in popular song’, American Journal of Sociology, 62 University of Chicago Press)Google Scholar
Mooney, H.F. 1954. ‘Song, singers and society 1890–1954’, American Quarterly, 6Google Scholar
Negus, K. 2008. Bob Dylan (London, Equinox)Google Scholar
Negus, K. 2009. Perspective and Point of View in the Popular Song, RMA Research Colloquia, Department of Music, University of Glasgow, 4 February 2009Google Scholar
Peatman, J.G. 1942. ‘Radio and popular music’, in Radio Research, ed. Lazersfeld, P.F. and Stanton, F. (New York, Duell, Sloan and Pearce)Google Scholar
Ricks, C. 2003. Dylan's Visions of Sin (London, Viking)Google Scholar