Elsevier

Design Studies

Volume 30, Issue 4, July 2009, Pages 393-414
Design Studies

An affordance-based approach to architectural theory, design, and practice

https://doi.org/10.1016/j.destud.2009.01.002Get rights and content

The idea of affordance, borrowed from perceptual psychology, is applied to the domain of architecture. As to architectural theory, affordances can be used as a conceptual framework to understand the relationship between environments and occupants, especially with respect to form and function. Regarding architectural design, the concept of affordance allows for a common theoretical basis to improve the design process. Concerning architectural practice, affordances can be used as a tool to explore the connection between the intentions of the design with how the artifact is actually used, leading to archived knowledge, and the potential for avoiding common design failures.

Section snippets

History of the idea of affordance

The perceptual psychologist James J. Gibson first put forward the theory of affordances. In other work, the present authors have expanded upon this theory, and identified new application areas (Maier and Fadel, 2001, Maier and Fadel, 2002, Maier and Fadel, 2003, 2005, Maier and Fadel, 2007, Maier and Fadel, in press). Following our introduction of the concept into the engineering design community, other authors have also begun using the concept of affordance within engineering design and

Historical separation of form and function in architecture

As the preceding example illustrates, an understanding of the relationship between form (or more generally, structure) and function (or more generally, user behavior) is essential for a successful design project. An understanding of the separation between form and function in architecture helps to explain the theoretical dilemma that designers face today.

The need to provide appropriate form and function has been recognized since antiquity, e.g., in the writings of Vitruvius (Kruft, 1994).

An affordance-based view of the design process

In an effort to understand the design process in general, we first need to take a step back and address the question of why people design things at all. Once again, Gibson applies the powerful concept of affordance to answer this fundamental question: ‘Why has man changed the shapes and substances of his environment? To change what it affords him’ (Gibson, 1976).

Hence the impetus for any design project can be understood in terms of creating and changing affordances — neither creating artifacts

Summary remarks

In this article we have proposed that the idea of affordance, an established concept from ecological psychology, may serve as a conceptual basis and unifying framework for architectural theory, design, and practice. As many researchers have realized, architectural design, as other fields of design, lacks a rigorous theoretical basis. The concept of affordance can provide that basis, as Gibson originally suggested, because it ties together human occupants (users) and the built environment

Acknowledgements

We would like to thank Chris Pagano of the Department of Psychology at Clemson University for his many valuable comments on drafts of the paper. We would also like to thank Peg Tyler, Associate Librarian in the Clemson University Libraries for graciously providing the photographs of the door handles on the Cooper Library. We also thank the anonymous reviewers of earlier drafts of this paper for their helpful comments, especially with respect to the Pruitt-Igoe example and the scale of

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