The market of symbolic goods
References (19)
- et al.
Social factors in the origins of a new science: The case of psychology
American Sociological Review
(1966) - et al.
L'amour de l'art. Les musées d'art européens et leur public
(1969) El ritual de la danza en el Pais Vasco
- et al.
George Homans in footnotes: The fate of ideas in scholarly communication
Sociological Inquiry
(1964) Quoted by A. Breton
- (1923)
Elements of social organization
(1963)Literature among the primitives
(1964)- (1951)
Cited by (269)
Housing movements: From solidaristic discourse to solidaristic fields
2024, Political GeographySymbolic representations of cultural industries at content trade fairs: Bourdieu's “economic world reversed” revisited
2022, PoeticsCitation Excerpt :We wanted to learn more about the institutional logics of contemporary cultural production and distribution, i.e. the rules and beliefs that guide everyday practices in these industries and the narratives which symbolize them. In Pierre Bourdieu's classical view, the field of cultural production is characterized by a fundamental dichotomy between two different and conflicting orientations: creative autonomy and an orientation to markets (Bourdieu 1983, 1985). While the commercially successful producers on the heteronomous pole in the field try to satisfy the demand on markets (or cater to the taste of wealthy patrons in earlier decades), artists at the autonomous pole accept only the judgment of their peers.
Ornamental plant domestication by aesthetics-driven human cultural niche construction
2022, Trends in Plant ScienceBuilding institution: The institute for architecture and urban studies, New York 1967-1985
2024, Building Institution: The Institute for Architecture and Urban Studies, New York 1967-1985DECONTEXTUALIZATION FROM UNESCO TO CHINA:The embarrassment and empowerment of economic uses of intangible cultural heritage
2024, Intangible Cultural Heritage and Sustainable Development:Inside a UNESCO Convention
- ∗
This text was first published in French: ‘Le Marché des Biens Symboliques’, L'Année Sociologique 22, 49–126 (1971). In many respects it might have been surpassed by subsequent publications (especially La Distinction, Paris: Ed. de Minuit, (rev. ed., 1982). Yet it remains fundamental to the understanding of Bourdieu's work as it is the first to set forth the theory of the literary field and of its division into two complementary but antagonistic markets which provided the basis of research on the sociology of art and literature by Pierre Bourdieu and his students. Translated from French by Rupert Swyer.
Author's address: P. Bourdieu, Centre de Sociologie Européenne, Ecole des Hautes Etudes en Sciences Sociales, 54, Bd. Raspail, 75270 Paris Cedex 06, France.