Abstract
Circular economy is an important concept in achieving sustainability. The fashion industry creates enormous amounts of waste that ends up at landfill sites. Therefore, through a circular economy, the fashion industry can reduce the quantity of waste generated. This study aimed to demonstrate the practical application of circular economy in the fashion accessories sector in Ghana. Using pull tabs from used cans, combined with thread, and using a crocheting technique, the paper demonstrates a practical use of circular economy approach in designing and making fashion accessories products in Ghana. Six products were designed and created from pull tabs from used cans and thread. The products were tested to ensure that they were fit for purpose. It was suggested that these designs and products could be commercialised in Ghanaian society and beyond as they represent the cultural and global modern trends in the fashion accessories industry. Besides, due to the low-cost nature of the whole product design and making of the necklaces and earrings, it was suggested that those doing craftwork in low-socio-economic areas may use it as an economic activity. It is recommended that policymakers and the government of Ghana should develop policies that will make it attractive for those in craft-making to adopt such practices and this can attract industry leaders in the Ghanaian fashion accessories sector to consider the outcomes of this study. Many other countries similarly situated can adopt the findings and contextualise it to their settings. This paper is original in its form because it is the first to adopt the principles of circular economy in fashion accessories in Ghana.
Similar content being viewed by others
Data Availability
N/A. However, the author is happy to send copies of the designed items if required.
References
Alhasan N, Elghouche BCL, Jonathan YT (2017) Aspiration of aluminum beverage can tab: case report and literature review. Hindawi Otolaryngol 2017(1010975):1–4. https://doi.org/10.1155/2017/1010975
Archer B (1995) A view of the nature of design research. In Design: science: method, edited by Robin Jacques and James A, Powell, 30– 47. Westbury House, Guildford, UK.
Arhinful K (2013) Nonsensical fashions and fashions’ nonsensicalities – men in earrings ladies...in ‘aware’ dresses, available at https://www.modernghana.com/news/496171/nonsensical-fashions-and-fashions-nonsensicalities-8211.html, accessed on 07/01/2023.
Blowfield M, Murray A (2008) Corporate responsibility, 3rd edn. Oxford, Oxford University Press
Brydges T (2021) Closing the loop on take, make, waste: investigating circular economy practices in the Swedish fashion industry. J Clean Prod 293:126245. https://doi.org/10.1016/j.jclepro.2021.126245
Burrington JD (1976) Aluminum ‘Pop Tops’: a hazard to child health. J Am Med Assoc 14;235(24):2614–7
Caniato F, Caridi M, Crippa L, Moretto A (2012) Environmental sustainability in fashion supply chains: an exploratory case-based research. Int J Prod Econ 135:659–670
Cappellieri A, Borboni E, Tenuta L, Testa S (2019) Circular economy in fashion world. Sharing Soc 112.
Casey C (2013) All about crochet - a beginner’s guide, 1st edn. Lulu Press Inc, New York
Claudio L (2007) Waste couture. Environ Health Perspect 115:448–454
Colucci M, Vecchi A (2020) Close the loop: evidence on the implementation of the circular economy from the Italian fashion industry. Bus Strateg Environ 30(2):856–873. https://doi.org/10.1002/bse.2658
Cunningham SJ (1996) Crochet technique. Hist Sci Knots 11:317
Didenko NI, Klochkov YS, Skripnuk DF (2018) Ecological criteria for comparing linear and circular economies. Resources 7(3):48. https://doi.org/10.3390/resources7030048
Dissanayake DGK, Weerasinghe D (2020) Towards circular economy in fashion: review of strategies, barriers, and enablers. Circ Econ Sustain 2:25–45. https://doi.org/10.1007/s43615-021-00090-5
Doppelt B (2003) Overcoming the seven sustainability blunders. Syst Thinker 14(5):2–7
Drake D, Spinler S (2013) Sustainable operations management: an enduring stream or a passing fancy? Manuf Serv Oper Manag 15:689–700
Dudek S, Sparks D (2015) Digital West-African-inspired batik meets traditional European crochet. In International Textile and Apparel Association Annual Conference Proceedings (Vol. 72, No. 1). Iowa State University Digital Press.
Elf P, Werner A, Black S (2022) Advancing the circular economy through dynamic capabilities and extended customer engagement: insights from small sustainable fashion enterprises in the UK. Bus Strateg Environ 31:2682–2699
Ellen MacArthur Foundation (2013) Towards the circular economy. Opportunities for the consumer goods sector. Retrieved from https:// www.ellenmacarthurfoundation.org/assets/downloads/publications/TCE_Report-2013.pdf accessed on 08/01/2023
Fening PA (2015) The changing face of the Ghanaian culture: a case of earring in men. Asian J Humanit Soc Sci 3(1):110–119
Fortmann J, Heuten W, Boll S (2015) User requirements for digital jewellery. In: Proceedings of the 2015 British HCI Conference, July 13 - 17, 2015. HCI, Lincoln, Lincolnshire, United Kingdom, pp 119–125
Galton E (2012) Basics fashion design 10: Jewellery design: from fashion to fine jewellery. Fairchild Books, New York
Guo R, Lin J, Narayanan V, McCann J (2020) Representing crochet with stitch meshes. In Proceedings of the 5th Annual ACM Symposium on Computational Fabrication, (pp. 1–8).
Ho HPY, Choi TM (2012) A five-R analysis for sustainable fashion supply chain management in Hong Kong: a case analysis. J Fash Mark Manag 16:161–175
Hubert M (2010) The complete photo guide to crochet. Creative Publishing International, Minnesota
Jain SA (2022) fashion accessories: types, trends and importance. https://textilelearner.net/fashion-accessories-types-trends-and-importance/ (Accessed on 20/03/2023).
Karp C (2018) Defining crochet. Text Hist 49(2):208–223. https://doi.org/10.1080/00404969.2018.1491689
Kerr J, Landry J (2017) Pulse of the fashion industry. In Copenhagen Fashion Summit 2017; Global Fashion Agenda & The Boston Consulting Group: Copenhagen, Denmark, 2017; pp. 2–134. Available online: https://www.copenhagenfashionsummit.com/wpcontent/uploads/2017/05/Pulse-of-the-Fashion-Industry_Executive-summary.pdf (Accessed on 18/09/2023).
Khan S, Tzortzopoulos P (2018) Using design science research and action research to bridge the gap between theory and practice in lean construction research. In Proceedings of the 26th Annual Conference of the International Group for Lean Construction. Chennai (pp. 209–219).
Kleindorfer P, Singhal K, van Wassenhove LN (2005) Sustainable operations management. Prod Oper Manag 14:482–492
Koskinen I, Thomas B, Johan R (2008) Lab, field, gallery, and beyond ArtiKoskinen, fact. J Des Pract 2(1):46–57. https://doi.org/10.1080/17493460802303333
Lang A, Murphy H (eds) (2014) Between government pressure and self-regulation, In: Business and sustainability, Springer Cham. https://doi.org/10.1007/978-3-319-07239-5
Leontief W (1991) The Economy as a circular flow. Struct Chang Econ Dyn 2(1):181–212
Machado MAD, de Almeida SO, Bollick LC, Bragagnolo G (2019) Second-hand fashion market: consumer role in circular economy. J Fash Mark Manag 23(3):382–395
Mahler D, Kearney AT (2007) The sustainable supply chain. Supply Chain Manag Rev 11(8):59–60
Marques AD, Marques A, Ferreira F (2020) Homo Sustentabilis: circular economy and new business models in fashion industry. SN Appl Sci 2:306. https://doi.org/10.1007/s42452-020-2094-8
McGrath J (2007) The complete jewellery making course: principles, practice and techniques: a beginner’s course for aspiring jewellery makers. B. E. S. Publishing, New York
Moorhouse D, Moorhouse D (2017) Sustainable design: circular economy in fashion and textiles. Des J 20(sup1):S1948–S1959. https://doi.org/10.1080/14606925.2017.1352713
Niinimäki K, Peters G, Dahlbo H, Perry P, Rissanen T, Gwilt A (2020) The environmental price of fast fashion. Nat Rev Earth Environ 1(4):189–200
Nordic Fashion Association (2016) Background. Available online: www.nordicfashionassociation.com/background (accessed on 1 June 2023).
Provasnek AK, Sentic A, Schmid E (2017) Integrating eco-innovations and stakeholder engagement for sustainable development and a social license to operate. Corp Soc Responsib Environ Manag 24(3):173–185. https://doi.org/10.1002/csr.1406
Rajili NAM, Olande E, Warell A (2015) Characteristics of jewellery design: an initial review. Paper presented at Proceeding of the International Conference on Research into Design (ICoRD’15), Bangalore: India Institute of Science.
Rani S, Rani B (2018) Preference of fashion accessories among college going girls. Ann Agri-Bio Res 23(1):122–125
Reason P, Bradbury H (2001) Handbook of action research: participative inquiry and practice. Sage Publications, London
Ryan MG (1981) The complete encyclopaedia of stitchcraft. The Chaucer Press Ltd, Bungay, UK
Skinner D (2013) Contemporary Jewelry in Perspective. New York: an imprint Sterling Publishing.
Smith P, Baille J, McHattie LS (2017) Sustainable Design Futures: an open design vision for the circular economy in fashion and textiles. Des J 20(sup1):S1938–S1947
Stahel WR (1994) The utilization-focused service economy: resource efficiency. In: Allenby BR, Richards DJ (eds) The greening of industrial ecosystems. National Academy Press, Washington, DC, pp 178–190
Strähle J, Müller V (2017) Key aspects of sustainability in fashion retail. Green Fashion Retail 7–26 https://doi.org/10.1007/978-981-10-2440-5
Swann C (2002) Action research and the practice of design. Des Issues 18(2):49–61. https://doi.org/10.1162/07479360252756287
Thorisdottir TS, Johannsdottir L (2019) Sustainability within fashion business models: a systematic literature review. Sustainability 11(8):2233
Villari B (2023) Action research approach in design research, in The Routledge Companion to Design Research, edited by Paul A. Rodgers, and Joyce Yee, Taylor & Francis Group, available at http://ebookcentral.proquest.com/lib/rmit/detail.action?docID=7260406 (Accessed on 29/08/2023).
Wade K, Allen KM (2007) Practice-based research: changing the professional culture and language of social work. Soc Work Health Care 44(4):49–64
Acknowledgements
I acknowledge the help I received in the form of comments and feedback to improve the original article from colleagues, friends, and students who participated in the initial and final stages of the action research.
Funding
There is no funding for the research.
Author information
Authors and Affiliations
Contributions
I declare that this research is authored solely by me.
Corresponding author
Ethics declarations
Ethics Approval and Consent to Participate
This research was purely on design basis, and therefore, it did not use any participant in data collection and analysis.
Consent for Publication
I am the sole author and give my consent for the publication of this manuscript.
Competing Interests
The author declares no competing interests.
Rights and permissions
Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law.
About this article
Cite this article
Aboagyewaa-Ntiri, J. Advancing Sustainability in Fashion Accessories: a Circular Economy Approach. Circ.Econ.Sust. (2024). https://doi.org/10.1007/s43615-023-00317-7
Received:
Accepted:
Published:
DOI: https://doi.org/10.1007/s43615-023-00317-7