Abstract
This chapter draws on eco-critical discourse to frame the discussion on Stephen Carleton’s award-winning play, The Turquoise Elephant (2016). Eco-critical analysis in contemporary dramatic discourse and of theatrical representation has grown from the literary legacy of Romanticism, specifically in fields of landscape aesthetics and writing about nature and the natural world. Initially providing an overview of ecocriticism and its corresponding relationship with Romantic legacies, the chapter acknowledges that the increasing visibility of ecocriticism in drama and theatre studies creates a successful framework for Climate Gothic analysis as it engages with the interrelationship between theatre environmentalism and climate change. Carleton’s play draws on and inverts legacies of eco-critical Romantic traditions through its Gothic paradoxes of light and shade and good and evil. It is within this paradox of inversion wherein the Climate Gothic reading laments the loss of the nation’s connection to non-human nature. The Turquoise Elephant question the values that we attach to the environmental crisis in this country.
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Hassall, L. (2021). Romantic Legacies: Ecocriticism in Australian Performance. In: Theatres of Dust. Palgrave Pivot, Singapore. https://doi.org/10.1007/978-981-16-6159-4_6
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