Abstract
We begin with the act of listening, absorbing signals as they reach us, and while they have the voice as their origin, they may not actually be formed of words; a pause or a hesitation may say more of meaning than the language on either side of it. Such traits as dialect and accent become heightened through objectivity. An increased awareness of words as sound can lead us to developed senses of expression, as in poetry. Vocalised sound contains a musicality that has attracted composers, hearing in the abstract a quality beyond, but enhancing meaning. The affectations of speech hide identity while imposing themselves in forms of social power. Meanwhile, the true personality is shown in the physical grain of a voice’s making.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Street, S. (2019). The Notes of Human Music. In: Sound at the Edge of Perception. Palgrave Studies in Sound. Palgrave Pivot, Singapore. https://doi.org/10.1007/978-981-13-1613-5_2
Download citation
DOI: https://doi.org/10.1007/978-981-13-1613-5_2
Published:
Publisher Name: Palgrave Pivot, Singapore
Print ISBN: 978-981-13-1612-8
Online ISBN: 978-981-13-1613-5
eBook Packages: Social SciencesSocial Sciences (R0)