Skip to main content

The Fundamentals of Horror and Learning

  • Chapter
A Pedagogy of Cinema
  • 506 Accesses

Abstract

There is a horror story behind and throughout the image of contemporary globalised education without dénouement or clear ending. If one thinks about financial crises, human overpopulation and environmental catastrophe, one may sense a definite background noise or affect, which is an expression of continuous disquiet and uncertainty about the global future.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Argento, D. (1977). Suspiria [film]. Italy: Seda Spettacoli.

    Google Scholar 

  • Bataille, G. (1993). The cruel practice of art (Supervert32C Inc., Trans.). CD Rom. Originally published as L’Art, Exercise de la cruauté, in Médicin de France (1949).

    Google Scholar 

  • Baudrillard, J. (2005). The intelligence of evil, or The lucidity pact (C. Turner, Trans.). Oxford & New York, NY: Berg.

    Google Scholar 

  • Berardi, F. (2013). Pasolini in Tottenham. E-flux #43 03 (online). Retrieved May 01, 2015 from http://www.e-flux.com/journal/pasolini-in-tottenham/

  • Burroughs, W. (1959). Naked lunch. Paris: Olympia Press.

    Google Scholar 

  • Cole, D. R. (2011). Educational life-forms: Deleuzian teaching and learning practice. Rotterdam, The Netherlands: Sense Publishers.

    Book  Google Scholar 

  • Cole, D. R. (2013). Traffic jams: Analysing everyday life using the immanent materialism of Deleuze & Guattari. New York, NY: Punctum Books.

    Google Scholar 

  • Cole, D. R. (2013a). Affective literacies: Deleuze, discipline and power. In I. Semetsky & D. Masny (Eds.), Deleuze and education (pp. 94–112). Edinburgh: Edinburgh University Press.

    Google Scholar 

  • Cole, D. R., & Hager, P. (2010). Learning-practice: The ghosts in the education machine. Education Inquiry, 1(1), 21–40.

    Article  Google Scholar 

  • Cole, D. R., & Throssell, P. (2008). Epiphanies in action: Teaching and learning in synchronous harmony. The International Journal of Learning, 15(7), 175–184.

    Google Scholar 

  • Cronenberg, D. (1983). Videodrome [film]. Canada: Canada Film Development Corporation.

    Google Scholar 

  • Cronenberg, D. (1991). Naked lunch [film]. Canada, UK, USA & Japan: Recorded Picture Company & Fox Studios.

    Google Scholar 

  • Cronenberg, D. (1996). Crash [film]. UK & Canada: Recorded Picture Company & Alliance Communications.

    Google Scholar 

  • Deleuze, G. (1992). Cinema 1: The movement-image (H. Tomlinson & B. Habberjam, Trans.). London: The Athlone Press.

    Google Scholar 

  • Deleuze, G. (1994). Difference and repetition (P. Patton, Trans.). New York, NY: Columbia University Press.

    Google Scholar 

  • Deleuze, G. (1995). Negotiations (M. Joughlin, Trans.). New York, NY: Columbia University Press.

    Google Scholar 

  • Deleuze, G. (2000). The brain is the screen: An interview with Gilles Deleuze (M. T. Guirgis Trans.). In G. Flaxman (Ed.), The brain is the screen: Deleuze and the philosophy of cinema (pp. 366–367). Minneapolis, MN: University of Minnesota Press.

    Google Scholar 

  • Deleuze, G. (2005). Cinema 2: The time-image (H. Tomlinson & R. Galeat Trans.). London: Continuum International Publishing Group.

    Google Scholar 

  • Deleuze, G., & Guattari, F. (1988). A thousand plateaus: Capitalism & Schizophrenia II (B. Massumi, Trans.). London: The Athlone Press.

    Google Scholar 

  • Glazer, J. (2013). Under the skin [film]. UK & USA: StudioCanal (UK) & A24 Films (US).

    Google Scholar 

  • Guattari, F. (1995). Chaosmosis (P. Bains & J. Pefanis, Trans.). Sydney, Australia: Power Institute.

    Google Scholar 

  • Heidegger, M. (1992). Being and time (J. Macquarie & E. Robinson, Trans.). Oxford: Blackwell [original text 1926].

    Google Scholar 

  • Jameson, F. (2011). Representing capital: A reading of volume one. London & New York, NY: Verso.

    Google Scholar 

  • Lovecraft, H. P. (1917). Nemesis. Online Poem. Retrieved April 24, 2015, from http://www.hplovecraft.com/writings/texts/poetry/p121.aspx

    Google Scholar 

  • Masny, D., & Cole, D. R. (Eds.). (2009). Multiple literacies theory: A Deleuzian perspective. Rotterdam, The Netherlands: Sense Publishers.

    Google Scholar 

  • Pisters, P. (2012). The neuro-image: A Deleuzian film-philosophy of digital screen culture. Stanford: Stanford University Press.

    Google Scholar 

  • Powell, A. (2005). Deleuze and horror film. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Roffe, J. (2005). Deleuze, Gilles | Internet encyclopedia of philosophy. Retrieved April 24, 2015, from http://www.iep.utm.edu/deleuze/

  • Shaviro, S. (1993). The cinematic body. Minneapolis, MN: The Minnesota Press.

    Google Scholar 

  • Shaviro, S. (2008). The cinematic body REDUX. Parallax, 14(1), 48–54.

    Article  Google Scholar 

  • Standing, G. (2011). The precariat: The new dangerous class. London: Bloomsbury.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Sense Publishers

About this chapter

Cite this chapter

Cole, D.R., Bradley, J.P.N. (2016). The Fundamentals of Horror and Learning. In: A Pedagogy of Cinema. SensePublishers, Rotterdam. https://doi.org/10.1007/978-94-6300-555-5_2

Download citation

  • DOI: https://doi.org/10.1007/978-94-6300-555-5_2

  • Publisher Name: SensePublishers, Rotterdam

  • Online ISBN: 978-94-6300-555-5

  • eBook Packages: EducationEducation (R0)

Publish with us

Policies and ethics