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Grammars and Art

A Contingent Sense of Rules

  • Conference paper
CAAD futures 1997

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Abstract

This paper contributes to the debate about the utility of the grammatical paradigm in art and design. It reports an investigation of the contingent sense in which grammars and grammatical design apply in the practice of form making in art using two complementary research strategies: the examination through a perspective of grammatical design of some selected bodies of art work, including interviews with artists, theorists and designers; and the reflective practice of image making with computer media in my own work as an artist. The major hypothesis is that a contingent sense of grammar can facilitate the creation, understanding, and discussion of form-making in art. The sub-hypotheses are that (1) An understanding of grammatical design can enhance a reflective design activity, and that (2) Revealing the contingency of grammars can expose moments of inspiration and redirection in a reflective design activity.

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Author information

Authors and Affiliations

  1. Department of Architecture, Landscape and Urban Design, University of Adelaide, North Tce Adelaide, South Australia, Australia, 5000

    Dean Bruton

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  1. Dean Bruton
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Editors and Affiliations

  1. Faculty for Architecture, Technical University Munich, Munich, Germany

    Richard Junge

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© 1997 Springer Science+Business Media Dordrecht

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Bruton, D. (1997). Grammars and Art. In: Junge, R. (eds) CAAD futures 1997. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-5576-2_5

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  • DOI: https://doi.org/10.1007/978-94-011-5576-2_5

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-6350-0

  • Online ISBN: 978-94-011-5576-2

  • eBook Packages: Springer Book Archive

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