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Allegorical Voyages: Louis XIII and the Sacred

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From the Sacred to the Divine

Part of the book series: Analecta Husserliana ((ANHU,volume 43))

Abstract

Three major characteristics of Baroque aesthetics relate to allegory: metamorphosis, exuberance, and the inducement of vertiginous spaces. The disparity between the real and imaginary voyages of Louis XIII is small when the creative imagination of the author or the artist seeks to transcend the profane reality of which it is the touchstone. The word allegory derives from the Greek “alleon,” meaning “other” or “different.” Spiritual or allegorical truth transforms and regenerates the literal or historic sense of an event.

Cet air, que je ne sçay quoy, Qui fait vivre les images; Et qui rend dignes d’un Roy, Les moindres de ses ouvrages: Cet air qui trompe les sens, A des charmes si puissans, Dans tout ce que fait cet homme, Qu’on peut dire sans trop flatter, Dire qu’Athenes & Rome, Auroient voulu l’imiter.

“Toute l’oeuvre de Callot”, Scudéry. Le Cabinet I, 1646, p. 159.

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Notes

  1. Mircia Eliade. Le sacré et le profane. Gallimard, 1965

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  2. Mircia Eliade. Briser le toit de la maison. La créativité et ses symboles. Gallimard,1986.

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  3. George Sadoul. Jacques Callot miroir de son temps. Gallimard, 1969.

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  4. Françoise Bardon. Le portrait mythologique à la cour de France sous Henri IV et Louis XIII. Mythologie et Politique. Paris: A. et J. Picard, 1974.

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  5. particular P. de Champagne: Louis XIII couronné par la victoire (1630);

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  6. Poussin, L’inspiration du poète (1630);

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  7. F. Perrier, Enée et ses compagnons combattant les harpies (1630);

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  8. Giovanni Lanfranco, Le couronnement de la Vierge (1630)

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  9. C.-G. Dubois. Le Baroque-profondeurs de l’apparence. Larousse, 1973, pp. 99–110.

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  10. Marin Mersenne. Harmonie Universelle (1635), trans. Roger E. Chapman. The Hague: Martins Nijhoff, 1957, p. 120.

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Paintings Discussed

  1. Rubens. Marie de Médicis’s Acceptance of the Regency (1610).

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  2. Rubens. The Majority of Louis XIII (October 20, 1614).

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  3. G. Huret and J. Couvay. Louis XIII as Jupiter (1630).

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  4. Jacques Callot. The Great Miseries of War: Hanging (1633).

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  5. François Perrier. The Plague in Athens (1630).

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  6. Jacques Callot. The Temptation of St. Anthony (1635).

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© 1994 Springer Science+Business Media Dordrecht

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Kronegger, M.E. (1994). Allegorical Voyages: Louis XIII and the Sacred. In: Tymieniecka, AT. (eds) From the Sacred to the Divine. Analecta Husserliana, vol 43. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-0846-1_11

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  • DOI: https://doi.org/10.1007/978-94-011-0846-1_11

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-4365-6

  • Online ISBN: 978-94-011-0846-1

  • eBook Packages: Springer Book Archive

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