Skip to main content

Towards the Aestheticisation of the Resistances in the Digital Age? A Critical Approach

  • Chapter
  • First Online:
Precarity within the Digital Age

Abstract

Are we facing a process of aestheticisation of the resistances in the digital age? To answer this question, I propose a concept that characterises modes of resistance in specific places and historical times: the Social Form of the Protest (SFP). The SFP is defined by protest tactics, such as demonstrations and barricades, and structural axes of confrontation, such as capital-labour and centre-periphery. Previous resistances to the inequalities generated by modern industrial capitalism were expressed through an equally modern SFP, born as a reaction to its power structures. At present, digital innovation appears to be modifying the parameters of this dialectical relationship. On the one hand, digital social networks increase communicative potential of the contemporary SFP; but on the other they dilute its deep transformation capacity. If confined to the communicative sphere, digital social media filters may turn resistances into media products. In this process the medium and how—through Information and communications technology—are imposed on the content and what—deep transformation objectives. This results in the emergence of the aestheticisation of resistance and limits its ability to resist growing social inequalities.

Research focus: Research in Precarity, Social Movements, Political Sociology.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 16.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Communicative capitalism refers to the contemporary merging of capitalism and democratic values—ideals of access, inclusion, discussion and participation—through networked communications technologies (Dean 2005). These technologies allow a renewed model of global digital reproduction of contents and information through social media, beyond the classic industrial mass model.

  2. 2.

    For an exhaustive analysis of the evolution of each protest tactic in the Basque Country for the period 2010–13, see Letamendia Onzain (2015, p. 145).

References

  • Adorno, T. W., & Horkheimer, M. (1944/1994). Dialéctica de la ilustración. Madrid: Trotta.

    Google Scholar 

  • Benjamin, W. (1936/2003). La obra de arte en la época de la reproductibilidad técnica.Colonia del Mar: Editorial Itaca.

    Google Scholar 

  • Bourdieu, P. (2001). Contrafuegos 2. Por un movimiento social europeo. Barcelona: Anagrama.

    Google Scholar 

  • Casemajor, N. (2015). Digital Materialisms: Frameworks for Digital Media. Westminster Papers in Communication and Culture, 10(1), 4–17.

    Google Scholar 

  • Dean, J. (2005). Communicative capitalism: Circulation and the foreclosure of politics. Cultural Politics, 1(1), 51–74.

    Google Scholar 

  • Debord, G. (1967/2003). La sociedad del espectáculo. Valencia: Pre-Textos.

    Google Scholar 

  • Fuchs, C. (2014). Digital prosumption labour on social media in the context of the capitalist regime of time. Time & Society, 23(1), 97–123.

    Google Scholar 

  • González Ibáñez, E. (2015). Ruido visual: la saturación de imágenes en la contemporaneidad. Ausart Journal for Research in Art, 3(2), 227–236.

    Google Scholar 

  • Harvey, D. (1990). The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge, MA: Blackwell.

    Google Scholar 

  • Harvey, D. (2007). A Brief History of Neoliberalism. Oxford: Oxford University Press.

    Google Scholar 

  • Jameson, F. (1991). Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press.

    Google Scholar 

  • Jessop, R. (2002). The Future of the Capitalist State. Cambridge: Polity.

    Google Scholar 

  • Letamendia Onzain, A. (2015). La Forma Social de la Protesta en Euskal Herria 1980–2013. Leioa: University of the Basque Country Press.

    Google Scholar 

  • Letamendia, A., Del Amo, I. A., Diaux, J. (2014). Audiovisual cultural artifacts of protest in the Basque Country. Pacific Journalism Review, 20(2), 224–240.

    Google Scholar 

  • Lipset, S. M. & Rokkan, S. (1967). Cleavage Structures, Party Systems and Voter Alignments. In S. M. Lipset & S. Rokkan (Eds.), Party Systems and Voter Alignments: Cross National Perspective (pp. 1–64). New York: Free Press.

    Google Scholar 

  • Marx, K. (1867/2009). El Capital. Volume 1. México D.F.: Fondo de Cultura Económica.

    Google Scholar 

  • McAdam, D. (1983). Tactical Innovation and the Pace of Insurgency. American Sociological Review, 48(6), 735–754.

    Google Scholar 

  • Ostman, J. (2012). Information, expression, participation: How involvement in user-generated content relates to democratic engagement among young people. New Media & Society, 14(6), 1004–1021.

    Google Scholar 

  • Rendueles, C. (2013). Sociofobia. El cambio político en la era de la utopía digital. Madrid: Capitán Swing.

    Google Scholar 

  • Standing, G. (2011). The Precariat. The new Dangerous Class. London: Bloomsbury.

    Google Scholar 

  • Tarrow, S. (1994). Power in Movement. Social Movements, Collective Action and Politics. Cambridge: Cambridge University Press.

    Google Scholar 

  • Tilly, C. (2007). Contienda política y democracia en Europa, 1650–2000. Barcelona: Hacer.

    Google Scholar 

  • Tilly, C. & Wood, L. (2010). Los movimientos sociales, 1768–2008. Desde sus orígenes a Facebook. Barcelona: Crítica.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Arkaitz Letamendia .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer Fachmedien Wiesbaden GmbH

About this chapter

Cite this chapter

Letamendia, A. (2017). Towards the Aestheticisation of the Resistances in the Digital Age? A Critical Approach. In: Heidkamp, B., Kergel, D. (eds) Precarity within the Digital Age. Prekarisierung und soziale Entkopplung – transdisziplinäre Studien. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-17678-5_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-658-17678-5_9

  • Published:

  • Publisher Name: Springer VS, Wiesbaden

  • Print ISBN: 978-3-658-17677-8

  • Online ISBN: 978-3-658-17678-5

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics