Abstract
This Epilogue discusses the recent production of The Tempest as a catalyst to summarise the conclusions of the previous chapters. It then discusses the consequences of the developments the book has outlined.
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Notes
- 1.
Alongside the live performance I had access to the CD of this production and the publicly available YouTube promotional materials.
- 2.
Some of the music including Ariel’s three songs and part of the masque are available on the recording The Tempest: Music & Speeches (RSC Enterprise Limited, 2016). RSCE 016.
- 3.
The performer wears a special body suit that transmits gestures via a computer to the computer generated avatar projected above him that mirrors his physical movements at a larger scale.
Bibliography
Home-Cook, George. Theatre and Aural Attention: Stretching Ourselves. London: Palgrave Macmillan, 2015.
Dunn, Jeremy. Interview, Sound office at RSC, 3 August 2016.
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Taylor, M. (2018). Epilogue. In: Theatre Music and Sound at the RSC. Palgrave Studies in British Musical Theatre. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-95222-2_7
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DOI: https://doi.org/10.1007/978-3-319-95222-2_7
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