Abstract
This chapter explores the consumption patterns and leisure pursuits of young people residing in the popular Australian tourist destination of Byron Shire. Based on ethnographic fieldwork, I argue that the various migratory trends and socio-cultural fabric of the region have created images of a “laidback”, “hippy” and “fun” environment conducive to particular forms of entertainment–rave or “doof” parties being one such choice among young people. This chapter focuses on the important function that doof neo-tribes play among young residents, including the symbolic and political meanings attached to the non-conformist consumption choices made by these youth in the face of a heavily regulated night-time tourism economy. Doof neo-tribes thus function as landscapes of a shared identity and foster young locals’ need for belonging and communitas.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
The influx of (y)oung (u)rban (p)rofessionals (yuppies) to the Byron Shire and their uptake and involvement in the rave or doof scene is peculiar as in a European and North American context yuppies are not generally regarded as individuals who would be interested in raves. There is thus an interesting demographic and socio-economic distinction here that would suggest class-based conceptualizations of youth cultural affiliations are indeed a thing of the past (Bennett 2011).
- 2.
Youth workers and other key adult stakeholders were interviewed to explore their perceptions of the challenges and opportunities that young people face growing up in the Byron Shire. Findings from these interviews provided a useful longitudinal perspective of youth cultural practices in the area.
References
Anderson, T. L., & Kavanaugh, P. R. (2007). A ‘Rave’ Review: Conceptual Interests and Analytical Shifts in Research on Rave Culture. Sociology Compass, 1(2), 499–519.
Bennett, A. (1999). Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste. Sociology, 33(3), 599–617.
Bennett, A. (2011). The Post-subcultural Turn: Some Reflections 10 Years On. Journal of Youth Studies, 14(5), 493–506.
Blackman, S. (2005). Youth Subcultural Theory: A Critical Engagement with the Concept, Its Origins and Politics, from the Chicago School to Postmodernism. Journal of Youth Studies, 8(1), 1–20.
Buttigieg, B., Robards, B., & Baker, S. (2015). Introduction: Youth Culture Research in Australia. In S. Baker, B. Robards, & B. Buttigieg (Eds.), Youth Cultures and Subcultures: Australian Perspectives (pp. 1–8). Surrey: Ashgate Publishing, Ltd.
Canosa, A. (2016). Voices from the Margin: Youth, Identity and Belonging in a Tourist Destination (Doctoral Dissertation). Lismore: Southern Cross University. http://epubs.scu.edu.au/theses/542/
Canosa, A., Moyle, B., & Wray, M. (2016). Can Anybody Hear Me? A Critical Analysis of Young Residents’ Voices in Tourism Studies. Tourism Analysis: An Interdisciplinary Journal, 21(2), 325–337.
Canosa, A., Graham, A., & Wilson, E. (2017a). Growing Up in a Tourist Destination: Negotiating Space, Identity and Belonging. Children’s Geographies. https://doi.org/10.1080/14733285.2017.1334115
Canosa, A., Wilson, E., & Graham, A. (2017b). Empowering Young People Through Participatory Film: A Postmethodological Approach. Current Issues in Tourism, 20(8), 894–907.
Creswell, J. W. (2007). Qualitative Inquiry & Research Design: Choosing Among Five Approaches (2nd ed.). Thousand Oaks: Sage.
Furlong, A. (2013). Youth Studies: An Introduction. New York: Routledge.
Gibson, C. (1999). Subversive Sites: Rave Culture, Spatial Politics and the Internet in Sydney, Australia. Area, 31(1), 19–33.
Gibson, C. 2002. Migration, Music and Social Relations on the Nsw Far North Coast. Transformations, 2(March), 1–15.
Gibson, C. & Pagan, R. (2006). Rave Culture in Sydney, Australia: Mapping Youth Spaces in Media Discourse. http://www.snarl.org/youth/chrispagan2.pdf. Accessed June 2017.
Goulding, C., & Shankar, A. (2011). Club Culture, Neotribalism and Ritualised Behaviour. Annals of Tourism Research, 38(4), 1435–1453.
Goulding, C., Shankar, A., & Elliott, R. (2002). Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities. Consumption, Markets and Culture, 5(4), 261–284.
Hardy, A., & Robards, B. (2015). The Ties That Bind: Exploring the Relevance of Neotribal Theory to Tourism. Tourism Analysis, 20(4), 443–454.
Hemment, J. (2007). Public Anthropology and the Paradoxes of Participation: Participatory Action Research and Critical Ethnography in Provincial Russia. Human Organization, 66(3), 301–314.
Jaimangal-Jones, D., Pritchard, A., & Morgan, N. (2010). Going the Distance: Locating Journey, Liminality and Rites of Passage in Dance Music Experiences. Leisure Studies, 29(3), 253–268.
Lefebvre, H. 1974. The Production of Space (D. Nicholson-Smith, Trans., 1991 ed.). Oxford/Cambridge: Blackwel.
Luckman, S. (2003). Going Bush and Finding One’s ‘Tribe’: Raving, Escape and the Bush Doof. Continuum, 17(3), 315–330.
Luckman, S. (2016). Location, Spatiality and Liminality at Outdoor Music Festivals: Doofs as Journey. In A. Bennett, J. Taylor, & I. Woodward (Eds.), The Festivalization of Culture (pp. 189–205). Farnham/Burlington: Ashgate.
Maffesoli, M. (1996). The Time of the Tribes: The Decline of Individualism in Mass Society. London: Sage.
Malbon, B. (1999). Clubbing: Dancing, Ecstasy, Vitality. London: Routledge.
Morton, H. (1996). Becoming Tongan: An Ethnography of Childhood. Honolulu: University of Hawaii Press.
Muggleton, D. (2002). Inside Subculture: The Postmodern Meaning of Style. Oxford: Berg.
Panelli, R., Nairn, K., & McCormack, J. (2002). “We Make Our Own Fun”: Reading the Politics of Youth with (in) Community. Sociologia Ruralis, 42(2), 106–130.
Riley, S. C. E., Griffin, C., & Morey, Y. (2010). The Case for ‘Everyday Politics’: Evaluating Neo-Tribal Theory as a Way to Understand Alternative Forms of Political Participation, Using Electronic Dance Music Culture as an Example. Sociology, 44(2), 345–363.
Robards, B., & Bennett, A. (2011). Mytribe: Post-subcultural Manifestations of Belonging on Social Network Sites. Sociology, 45(2), 303–317.
Smith, R. J., & Maughan, T. (1998). Youth Culture and the Making of the Post-Fordist Economy: Dance Music in Contemporary Britain. Journal of Youth Studies, 1(2), 211–228.
St John, G. (2008). Trance Tribes and Dance Vibes: Victor Turner and Electronic Dance Music Culture. In Victor Turner and Contemporary Cultural Performance (pp. 149–173). New York: Berghahn Books.
Thornton, S. (1995). Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity Press.
Turner, V. (1982). Liminal to Liminoid, in Play, Flow, Ritual: An Essay in Comparative Symbology. In V. Turner (Ed.), From Ritual to Theatre: The Human Seriousness of Play (pp. 20–60). New York: Performing Arts Journal Publications.
Wilson, H. (2003). Introduction. In H. Wilson (Ed.), Belonging in the Rainbow Region: Cultural Perspectives on the NSW North Coast (pp. 1–12). Lismore: Southern Cross University Press.
Wilson, B., & Atkinson, M. (2005). Rave and Straightedge, the Virtual and the Real Exploring Online and Offline Experiences in Canadian Youth Subcultures. Youth & Society, 36(3), 276–311.
Wray, M., Laing, J., & Voigt, C. (2010). Byron Bay: An Alternate Health and Wellness Destination. Journal of Hospitality and Tourism Management, 17(1), 158–166.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Canosa, A. (2018). Consumption, Leisure and “Doof” Neo-Tribes in the Byron Shire. In: Hardy, A., Bennett, A., Robards, B. (eds) Neo-Tribes. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-68207-5_10
Download citation
DOI: https://doi.org/10.1007/978-3-319-68207-5_10
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-68206-8
Online ISBN: 978-3-319-68207-5
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)