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Grotesque Unrealism: Terry Gilliam’s Jabberwocky

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Python beyond Python

Part of the book series: Palgrave Studies in Comedy ((PSCOM))

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Abstract

The work of the Monty Python team—pre, post and during the run of Monty Python’s Flying Circus—would appear to be self-evidently carnivalesque, and a Bakhtinian analysis of their work would perhaps be “too obvious.” This is particularly true of the work of Terry Gilliam in films such as Brazil and The Fisher King. Nevertheless, a more informed Bakhtinian appraisal of his work that goes beyond a superficial understanding of the carnivalesque and grotesque reveals much about the work of the Pythons and understanding the Pythonesque. Rick Hudson’s “Grotesque Unrealism: Terry Gilliam’s Jabberwocky” focuses on Gilliam, specifically his film Jabberwocky, and subjects it to an in-depth Bakhtinian analysis to explore the fusions and conflicts between the comic and the horrific that underscore his films.

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Notes

  1. 1.

    Jacques Le Goff, The Medieval Imagination (Chicago and London: The University of Chicago Press, 1995).

  2. 2.

    Melvyn Bragg, The Adventure of English: The Biography of a Language (London: Sceptre, 2003), 74.

  3. 3.

    F. Anne Payne. Chaucer and Menippean Satire (University of Wisconsin, 1981).

  4. 4.

    Ibid., 4.

  5. 5.

    Mikhail Bakhtin, Problems of Dostoevsky’s Poetics (Minneapolis: University of Minnesota Press, 1984), 115.

  6. 6.

    Payne, Chaucer and Menippean Satire, 4.

  7. 7.

    Bakhtin, Problems of Dostoevsky’s Poetics, 112–113.

  8. 8.

    Ibid., 113.

  9. 9.

    Ibid., 121.

  10. 10.

    Ibid., 114.

  11. 11.

    Ibid.

  12. 12.

    Ibid., 114–118.

  13. 13.

    Ibid., 118.

  14. 14.

    Ibid., 118–19.

  15. 15.

    Robert Stam, Subversive Pleasure: Bakhtin, Cultural Criticism & Film (Baltimore & London: The John Hopkins Press), 158.

  16. 16.

    Mikhail Bakhtin, Rabelais and His World (Bloomington: Indiana University Press, 1984), 6.

  17. 17.

    Rick Hudson, “The Derelict Fairground: A Bakhtinian Analysis of the Graphic Novel Medium,” CEA Critic, 72.3 (2010), 36–38.

  18. 18.

    Ibid., 38.

  19. 19.

    Jack Morgan, The Biology of Horror: Gothic Literature & Film (Carbondale IL: Southern Illinois University Press, 2002), 25–26.

  20. 20.

    Ibid., 144.

Bibliography

  • Bakhtin, Mikhail. Problems of Dostoevsky’s Poetics. Minneapolis, MN: University of Minnesota Press, 1984.

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  • Bakhtin, Mikhail. Rabelais and His World. Bloomington: Indiana University Press, 1984.

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  • Bragg, Melvyn. The Adventure of English: The Biography of a Language. London: Sceptre, 2003.

    Google Scholar 

  • Hudson, Rick. “The Derelict Fairground: A Bakhtinian Analysis of the Graphic Novel Medium.” CEA Critic, 72.3 (2010): 33–47.

    Google Scholar 

  • Le Goff, Jacques. The Medieval Imagination. Chicago and London: The University of Chicago Press, 1995.

    Google Scholar 

  • Morgan, Jack. The Biology of Horror: Gothic Literature & Film. Carbondale IL: Southern Illinois University Press, 2002.

    Google Scholar 

  • Payne, F. Anne. Chaucer and Menippean Satire. Madison, WI: University of Wisconsin, 1981.

    Google Scholar 

  • Stam, Robert. Subversive Pleasure: Bakhtin, Cultural Criticism & Film. Baltimore and London: The John Hopkins Press, 1989.

    Google Scholar 

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Hudson, R. (2017). Grotesque Unrealism: Terry Gilliam’s Jabberwocky . In: Reinsch, P., Whitfield, B., Weiner, R. (eds) Python beyond Python. Palgrave Studies in Comedy. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-51385-0_6

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