Abstract
As a category of game and playfulness, ilinx is very frequently represented in comedies, especially in action comedies.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
According to Gabbard, the film is notable because, âa black actor played the role usually assigned to a white actor in an interracial buddy filmâ whereby the other part was given to âa Chinese actor with broken English and a long history of making films that criticized Western imperialism.â (2008, p. 213).
- 2.
Running up a wall or hanging without protection at great heights (e.g. from a âHollywoodâ street sign in Rush Hour or from a bamboo scaffolding in Rush Hour 2) are good examples, but cannot compare with Chanâs other stunts which he performed himself in his earlier films, such as sliding down Christmas decorations in a mall a hundred feet down in Police Story [1985], or sliding down over twenty stories of a steep wall of a skyscraper in Rotterdam, Holland (Who Am I? [1998]).
- 3.
According to Wonham, as early as âby the end of the eighteenth century Americans were already notorious for their seemingly irrational and depraved love of exaggerationâ (1993, p. 17).
- 4.
Carter never tries to be modest about his victories. When Carter stops Clive by shooting at his car until it explodes, he screams in triumph and starts to dance to the tune of Michael Jacksonâs song. In a later scene, when Carter disarms and knocks out a henchman, he boasts to the unconscious man âtell your friends about me!â.
- 5.
It should be noted that a very similar scene could be observed in Rush Hour, when Carter posed for the cameras, giving Lee the opportunity to flee.
- 6.
The character of âDirtyâ Harry Callahan also shot a camera in the film The Dead Pool (1988).
References
Birnbaum, R., Glickman, J., Sarkissian, A. (Producer), & Ratner, B. (Director). ([1998] 2010). Rush hour [Motion picture]. United States: New Line Home Video.
Caillois, Roger. (2001). Man, play and games (trans. Meyer Barash). Urbana: University of Illinois Press.
Casillo, R. (2006). Gangster priest: The Italian American cinema of Martin Scorsese. Toronto: University of Toronto Press.
Curtin, M. (2007). Playing to the worldâs biggest audience. The globalization of Chinese film and TV. Berkeley: University of California Press.
Dey, T., Saralegui, J., & Weber, B. Commentary track. Showtime DVD.
Gabbard, K. (2008). Movies, dying fathers, and a few survivors. In: C. Holmlund (Ed.), American cinema of the 1990s. Themes and variations (pp. 203â224). New Brunswick: Rutgers University Press.
Haggins, B. (2007). Laughing mad: The Black Comic Persona in post-soul America. New Brunswick: Rutgers University Press.
Hayward, S. (2006). Cinema studies. The key concepts. Routledge: London.
Levy, S. (2014). De Niro: a life. New York: Crown Archetype.
Marchetti, G. (2001). Jackie Chan and the black connection. In: M. Tinkcom & A. Villarejo (Eds.), Keyframes: Popular cinema and cultural studies (pp. 137â158). London: Routledge.
Nakamura, R. (2016, May 16) âRush Hourâ canceled after one season on CBS. The Warp. http://www.thewrap.com/rush-hour-canceled-after-one-season-on-cbs/
Ratner, B. (2010). Rush hour blu-ray commentary. In: R. Birnbaum, J. Glickman, & A. Sarkissian (Eds.), Rush hour.
Richmond, S. C. (2012). The exorbitant lightness of bodies, or how to look at superheroes: Ilinx, identification, and Spider-Man. Discourse, 34(1), 113â144.
Rosenthal, J., Saralegui, J. (Producer), & Dey, T. (Director). (2002). Showtime [Motion picture]. United States: Home Box Office and Warner Bros.
Wade, C. (2015). Robert de Niro: On screen. the ultimate film guide. Wisdom Twins Books.
Williams, B. T., & Zenger, A. A. (2007). Popular culture and representations of literacy. New York: Routledge.
Wonham, H. B. (1993). Mark Twain and the art of the tall tale. New York: Oxford University Press.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2017 Springer International Publishing AG
About this chapter
Cite this chapter
Skweres, A. (2017). Ilinx in Rush Hour and Showtime . In: Homo Ludens as a Comic Character in Selected American Films. Second Language Learning and Teaching(). Springer, Cham. https://doi.org/10.1007/978-3-319-47967-5_5
Download citation
DOI: https://doi.org/10.1007/978-3-319-47967-5_5
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-47966-8
Online ISBN: 978-3-319-47967-5
eBook Packages: EducationEducation (R0)