Skip to main content

Music and Associations: Cultural Impact on Musical Perception

  • Chapter
  • First Online:
Sounds, Societies, Significations

Part of the book series: Numanities - Arts and Humanities in Progress ((NAHP,volume 2))

Abstract

The sophisticated technologies and new media influence our everyday life as well as our cultural and musical environments. We are able to listen to music and/or music may reach us almost anywhere and anytime (TV, radio, supermarkets, street musicians, etc.), thus forming our musical perception and experience. The paper focuses on the relation between cultural environments and perception of audible music language. The investigation involves not only social and musical semiotics as fields of study, but also music psychology, which helps us to understand more about musical meaning and affective response to music. The article is based on an empirical case and presents the musical experiment that has revealed different meaningful reflections of human’s musical perception in today’s world.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Alcorta, Candace S., Richard Sois, and Daniel Finkel. 2008. Ritual harmony: Toward and evolutionary theory of music. Behavioural and Brain Sciences 31(5): 576–621.

    Article  Google Scholar 

  • Burkholder, J. Peter. 2006. A simple model for associative musical meaning. In Approaches to meaning in music, eds. Byron Almén and Edward Pearsall, 76–106. Bloomington: Indiana University Press.

    Google Scholar 

  • Chandler, Daniel. 2007. Semiotics: The basics, 2nd ed. London and New York: Routledge.

    Google Scholar 

  • Chua, Daniel. 2003. Absolute music and the construction of meaning. Cambridge: Cambridge University Press.

    Google Scholar 

  • Coolican, Hugh. 1994. Research methods and statistics in psychology, 2nd ed. London: Hodder & Stoughton.

    Google Scholar 

  • DeNora, Tia. 2004. Music in everyday life. Cambridge: Cambridge University Press.

    Google Scholar 

  • Hunter, Patrick G., and E. Glenn Schellenberg. 2010. Music and emotion. In Music perception, eds. Mari Riess Jones, Richard R. Fay and Arthur N. Popper, 129–164. New York: Springer Science+Business Media, LLC.

    Google Scholar 

  • Kivy, Peter. 1990. Music alone: Philosophical reflections on the purely musical experience. New York: Cornell University Press.

    Google Scholar 

  • Kress, Gunther, and Theo Van Leeuwen. 2001. Multimodal discourse: The modes and media of contemporary communication. London: Arnold.

    Google Scholar 

  • Meyer, Leonard B. 1956. Emotion and meaning in music. Chicago: Chicago University Press.

    Google Scholar 

  • Pereira, Carlos Silva; Joao Teixeira, Patricia Figueiredo, Joao Xavier, Sao Luis Castro, and Elvira Brattico. 2011. Music and emotions in the brain: Familiarity matters. PLoS ONE 6(11): 1–9.

    Google Scholar 

  • Raffman, Diana. 1993. Language, music, and mind. Cambridge: The MIT Press.

    Google Scholar 

  • Rayner, Phillip, Peter Wall, and Stephen Kruger. 2004. Media studies: The essential resource. London and New York: Routledge.

    Google Scholar 

  • Tagg, Phillip. 2012. Music’s meanings: A modern musicology for non-musos. New York & Huddersfield: The Mass Media Music Scholars’ Press.

    Google Scholar 

  • Thompson, W.F. 2009. Music thought and feeling: Understanding the psychology of music. New York: Oxford University Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Ulrika Varankaitė .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer International Publishing AG

About this chapter

Cite this chapter

Varankaitė, U. (2017). Music and Associations: Cultural Impact on Musical Perception. In: Povilionienė, R. (eds) Sounds, Societies, Significations. Numanities - Arts and Humanities in Progress, vol 2. Springer, Cham. https://doi.org/10.1007/978-3-319-47060-3_4

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-47060-3_4

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-47059-7

  • Online ISBN: 978-3-319-47060-3

  • eBook Packages: EducationEducation (R0)

Publish with us

Policies and ethics