Abstract
The rich vocabulary of medieval Islamic apocalyptic and eschatological compilations is familiar to modern Arab writers, yet influenced by modern western utopic/dystopic literature, their own novels have marked a turning point in Arabic literary production. A condensed account of the medieval work serves as a launch pad to the first section of this contribution, followed by an account of contemporary Arabic belles-lettres (including science fiction) and its gloomy portrayal of impending doom.
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Notes
- 1.
This noun appears 147 times in the Holy Qurʾan (chap. 9, 71–72).
- 2.
- 3.
Several editions and printings (Cook 2017).
- 4.
A neologism coined by Marshal Hodgson. It means a “social and cultural complex historically associated with Islam and Muslims, both among Muslims themselves and even when found among non-Muslims”.
- 5.
For a summary of the history of this term, see Bashir (2003: 3–28).
- 6.
For more on political astrology, see Arjomand (2022: 299–301).
- 7.
- 8.
I was not able to consult the English translation (Gril 2008).
- 9.
- 10.
This can be detected, for example, in their treatment of legendary stories about Tamīm al-Dārī or Gog and Magog, dealt with above (al-Jarf 2007).
- 11.
- 12.
I was not able to consult Benjamin Koerber’s translation (Austin 2017; Pepe 2019: 179–191).
- 13.
- 14.
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Frenkel, Y. (2024). From Medieval Utopia to Modern Dystopia. In: Urabayen, J., León Casero, J. (eds) Post-Apocalyptic Cultures. Palgrave Studies in Utopianism. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-50510-2_9
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