Abstract
Portable icons, i.e. religious paintings on wooden supports/panels, have been continuously produced in the area of Greece from the first Christian centuries to the present time. The icons are covered by one or more layers of varnish which is originally applied in order to protect the underlying painting from various deterioration factors (such as wear) and to improve the appearance of the artifact. However, in the course of time varnishes gradually decay through processes that impart color and other changes. Therefore, the removal of decayed varnishes—an intervention called “cleaning” in the context of artworks conservation—is often required. In this work we examine whether the old varnish layers affect the results of X-ray fluorescence (XRF) analysis, an analytical technique that is widely used for the identification of pigments and other painting materials. For this purpose, selected areas of various post-Byzantine icons are analyzed by portable XRF before and after cleaning interventions and the relevant XRF spectra are subject to comparison. For the purpose of better understanding the varnish effect, old (i.e. eighteenth-nineteenth century) varnish recipes are also considered. The results demonstrate that the varnishes may affect significantly the obtained XRF spectra and, hence, certain conclusions as regards painting materials.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
Note that in this region peaks of three important (in the framework of paintings XRF analysis) elements may appear, namely the Μα peaks of Au and Pb along with the Kα peak of S (Fig. 6b).
References
Vokotopoulos P (1995) Βυζαντινές Εικόνες [Byzantine icons]. Ekdotike Athenon, Athens, Greece
Mastrotheodoros GP, Beltsios KG, Bassiakos Y (2021) On the red and yellow pigments of post-byzantine Greek icons. Archaeometry 63(4):753–778
de la Rie R (1987) The influence of varnishes on the appearance of paintings. Stud Conserv 32(1):1–13
Feller RL, Stolow N, Jones EH (1985) On picture varnishes and their solvents. National Gallery of Art, Washington, USA
Caley T (1990) Aspects of varnishes and the cleaning of oil paintings before 1700. Stud Conserv 35(supplement 1):70–72
Favre-Félix M (2017) On the recipe for a varnish used by El Greco. Conservar Partimónio 26:37–49
Dunkerton J, White R (2000) The discovery and identification of an original varnish on a panel by Carlo Crivelli. National Gallery Techical Bulletin 21:70–76
Knut N (1999) The restoration of paintings. Könemann, Cologne
Hackney S (2013) The art and science of cleaning paintings, in “new insights into the cleaning of paintings.” Smithsonian Contrib Museum Conser 3:11–15
Mastrotheodoros GP, Beltsios KG, Bassiakos Y (2020) On the blue and green pigments of post-byzantine Greek icons. Archaeometry 62(4):774–795
Mafredas T, Kouloumpi E, Boyatzis SC (2021) Did Dionysius of Fourna follow the material recipes described in his own treatise? A first analytical investigation of four of his panel paintings. Heritage 4:3770–3789
de Viguerie L, Sole VA, Walter P (2009) Multilayers quantitative X-ray fluorescence analysis applied to easel paintings. Anal Bioanal Chem 395:2015–2020
Mastrotheodoros GP, Beltsios KG (2021) Original varnish recipes in post-byzantine painting manuals. Heritage 4(4):3572–3582
Zumbühl S, Soulier B, Zindel C (2021) Varnish technology during the 16th–18th century: the use of pumice and bone ash as solid driers. J Cult Herit 47:59–68
Schoonjans T, Solé VA, Vincze L, Sanchez del Rio M, Appel K, Ferrero C (2013) A general Monte Carlo simulation of energy-dispersive X-ray fluorescence spectrometers—part 6. Quantification through iterative simulations, Spectrochim. Acta Part B At Spectrosc 82:36–41. https://doi.org/10.1016/J.SAB.2012.12.011
NIST XCOM: Photon cross sections database. https://physics.nist.gov/xcom
Acknowledgements
This work was financially supported by the project “Center for research, Quality analysis of cultural heritage materials and communication of science” (MIS 5047233) which is implemented under the Action “Reinforcement of the Research and Innovation Infrastructure”, funded by the Operational Programme “Competitiveness, Entrepreneurship and Innovation” (NSRF 2014-2020) and co-financed by Greece and the European Union (European Regional Development Fund). Special thanks are due to Dr. Y. Bassiakos and Dr. E. Filippaki from INN, NCSR Demokritos for providing access to an XRF spectrometer. Also, father Dimitrios Kanellos is warmly thanked for allowing access to a late 19th century icon. Finally, thanks are due to the Greek State Scholarship Foundation (IKY) for providing a post-doctoral fellowship to G. P. M. for the study of primary technical Greek sources/painting manuals (contract number: 2019-050-0503-18729).
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this paper
Cite this paper
Mastrotheodoros, G.P., Anagnostopoulos, D.F., Beltsios, K.G. (2024). Cleaning Old Icons: The Effect of Varnishes on the XRF Analysis of Portable Panel Paintings. In: Osman, A., Moropoulou, A., Lampropoulos, K. (eds) Advanced Nondestructive and Structural Techniques for Diagnosis, Redesign and Health Monitoring for the Preservation of Cultural Heritage. TMM 2023. Springer Proceedings in Materials, vol 33. Springer, Cham. https://doi.org/10.1007/978-3-031-42239-3_11
Download citation
DOI: https://doi.org/10.1007/978-3-031-42239-3_11
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-031-42238-6
Online ISBN: 978-3-031-42239-3
eBook Packages: Chemistry and Materials ScienceChemistry and Material Science (R0)