Definition
The study of theater and performance examines overlapping fields that can be summarized (somewhat reductively) as drama (as literature and form), theater (as training, rehearsal, and staging, including dance), and performance (including broader behaviors and processes from everyday life, rituals, cultural enactments, and special marked or “framed” events). Particularly since the 1980s, there has been a growing interest in the connection between theater and phenomenology in response to the dominant semiotic lens for performance criticism and reception. Rather than understand theater primarily as a sign system (as a semiotician might), a phenomenological approach might describe and analyze the embodied experience of the theatrical event (Sauter 1997). More recently, “performance philosophy” has developed a philosophical analysis of performance and articulated the performative nature of philosophy...
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References
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Johnston, D. (2024). Theatre and Phenomenology. In: de Warren, N., Toadvine, T. (eds) Encyclopedia of Phenomenology. Springer, Cham. https://doi.org/10.1007/978-3-030-47253-5_433-2
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Theatre and Phenomenology- Published:
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DOI: https://doi.org/10.1007/978-3-030-47253-5_433-2
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Theater, Influence on and by Phenomenology- Published:
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DOI: https://doi.org/10.1007/978-3-030-47253-5_433-1