Abstract
Once when Virginia Woolf was sitting beside Lady Ottoline on a sofa their two profiles were suddenly to be seen, one in relief against the other, like two profiles on some Renaissance medal — two strange, queenly figures evolved in the leisured and ceremonious days of the nineteenth century. Each, by being herself, won an allegiance to herself in the twentieth. Both faces were aristocratic, but in that chance propinquity Virginia Woolf’s appeared much the more fine and delicate. The two women admired one another, with reservations on one side at least; and they were affectionate in manner when together, though one appeared more affectionate than the other. They had a good deal in common. Both had what old-fashioned people used to call presence — a kind of stateliness, a kind of simple, unfussy dignity. Lady Ottoline Morrell, not always discriminating about people, recognised the uniqueness of Virginia Woolf. Virginia Woolf spoke admiringly of the independence and force of character which had enabled Lady Ottoline to emerge from the grand but narrow world into which she had been bom (and of which she retained the panache) into a more varied world in which ideas and talent counted more than property or background.
From The Autobiography of William Plomer (London: Jonathan Cape, 1975; New York: Taplinger, 1976) pp. 254–9.
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© 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Plomer, W. (1995). A Life ‘rich in experience’. In: Stape, J.H. (eds) Virginia Woolf. Macmillan Interviews and Recollections. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-23807-1_31
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DOI: https://doi.org/10.1007/978-1-349-23807-1_31
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