Abstract
As we noted in the first chapter of this book, location filming has its many champions. So too, to a lesser extent, does location video recording. Both camps of enthusiasts feel that it is only out of the confines of the studio that the best television dramas can be made. Moreover, it is not only the makers of plays or films that hanker after the great outdoors. Viewers seem increasingly hungry for realistic, fast-moving and action-packed dramas or for visual feasts filmed or recorded on varied and exotic locations. Indeed, one theory has it that (with the exception of some serials) the studio play no longer has mass appeal.
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Notes
Michael Bakewell, ‘The Television Production’, in The Wars of the Roses (London: BBC, 1970) p. 232.
Michael Simpson, ‘Directing Break In’, in Scene Scripts Two, Longman Imprint Books (London: Longman, 1978) p. 104.
Christopher Griffin-Beale, ‘BBC Pushes Boat Out’, Broadcast, 30 March 1981, p. 22.
David Foster, ‘The Play’s the Thing’, Broadcast, 14 March 1983, p. 13.
Glyn Alkin, TV Sound Operations (London: Focal Press, 1975) p. 120.
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© 1984 David Self
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Self, D. (1984). On Location. In: Television Drama: An Introduction. Palgrave, London. https://doi.org/10.1007/978-1-349-17646-5_8
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DOI: https://doi.org/10.1007/978-1-349-17646-5_8
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