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Abstract

S eabiscuit, the biography of a race horse who lived in the 1930s, is currently on the New Tork Times “Best Sellers” list. Its popularity is only the most recent evidence of adult interest in animal char-acters, particularly in representations of their mental life. Nevertheless, passages such as the following are apt to produce derision among some readers: “Seabiscuit had the misfortune of living in a stable whose man- agers simply didn’t have the time to give his mind the painstaking atten- tion it needed.”1 Students of literature may assume that any text that attributes “mind” to an animal is anthropomorphic, even though they may not be quite sure what mind is.

I am very grateful to my brother, James Reed Smith, for his thoughtful reading of this essay and extensive, insightful comments.

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Notes

  1. Laura Hillenbrand, Seabiscuit: An American Legend (New York: Random House, 2001), 41.

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  2. Carl Hiassen, Sick Puppy (New York: Alfred A. Knopf, 2000), 150–151.

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  3. Eileen Crist, Images of Animals: Anthropomorphism and the Animal Mind (Philadelphia: Temple University Press, 1999), 102–103.

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  4. Jane Smiley, Horse Heaven (New York: Alfred A. Knopf, 2000), 231.

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  5. Peter Carruthers, The Animals Issue: Moral Theory in Practice (Cambridge: Cambridge University Press, 1992), 180.

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  6. Charles Siebert, Angus: A Memoir (New York: Crown Publishers, 2000), 92–93.

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  7. John Hawkes, Sweet William: A Memoir of Old Horse, ’’Papers on Language and Literature 38.4 (Fall 2002): 416–418.

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  8. Virginia Woolf, Flush (London: Harcourt Brace and Company, 1983), 130.

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  9. Brad Watson, “Seeing Eye,” in Last Days of the Dog-Men: Stories (New York: Delta, 1996), 41.

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  10. Antonio R. Damasio, The Feeling of What Happens: Body and Emotion in the Making of Consciousness (New York; San Diego; London: Harcourt Brace and Company, 1999), 154.

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© 2005 Mary S. Pollock and Catherine Rainwater

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Smith, J.A. (2005). Sensory Experience as Consciousness in Literary Representations of Animal Minds. In: Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy and Popular Culture. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-09411-7_14

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