This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Per approfondimenti
M. Emmer (2001) I matematici al cinema, in: M. Emmer (a cura di) Matematica e Cultura 2001, Springer-Verlag Italia, Milano, pp. 181–198
M. Emmer (2002) I matematici al cinema, in: M. Emmer, M. Manaresi (a cura di) Matematica, Arte, Tecnologia, Cinema, Springer-Verlag Italia, Milano, pp. 169–199
M. Emmer (2003) Mathematics and Cinema, in: M. Emmer, M. Manaresi (eds) Mathematics, Art, Tecnology and Cinema, Springer-Verlag, Berlin-Heidelberg, pp. 109–137
G.H. Hardy (1941) A Mathematician’s Apology, Cambridge Univ. Press, Cambridge; ed. italiana: Apologia di un matematico, Garzanti, Milano, 2002
R. Osserman (2002) La matematica al centro della scena, in: M. Emmer (a cura di) Matematica e Cultura 2002, Springer-Verlag Italia, Milano, pp. 85–99
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2005 Springer-Verlag Italia
About this chapter
Cite this chapter
(2005). L’amore ha due facce. In: Manaresi, M. (eds) Matematica e cultura in Europa. Springer, Milano. https://doi.org/10.1007/88-470-0347-4_20
Download citation
DOI: https://doi.org/10.1007/88-470-0347-4_20
Publisher Name: Springer, Milano
Print ISBN: 978-88-470-0346-0
Online ISBN: 978-88-470-0347-7
eBook Packages: Mathematics and StatisticsMathematics and Statistics (R0)