Abstract
Bu çalışma genel olarak Croce’nin felsefi konumunu analiz etmeyi amaçlamaktadır. Croce felsefi konumunu – özellikle tin felsefesine ilişkin bakışını – tanımlarken, düşüncelerini “din ve metafiziğin tesellilerine hümanist bir alternatif” olarak ifade etmiştir. Bu çalışmada Croce’nin felsefi tutumunun başarısı, felsefi bakış açısı ile iddia ettiği metafizik karşıtı konumu arasındaki farklılıklar bağlamında değerlendirilecektir. Sözkonusu değerlendirme sürecinde öncelikle Croce’nin “ifade olarak sanat” olarak bilinen özcü sanat felsefesine odaklanılacaktır. Sonraki aşamada ise Croce’nin “tin” ya da “gerçekten” var olan şey olarak tanımladığı ve insan zihni ya da insan bilincinin temel yönelimlerinin ürünleri olan teorik ve pratik bilgi ayrımı ele alınacaktır. Başlangıç olarak, bu iddianın bile oldukça metafizik bir ifade olduğunu söylemek mümkündür.
References
- Abbott, Don Paul. “The Doctrine of Double Form: Benedetto Croce on Rhetoric and Poetics”. Philosophy & Rhetoric, 21(1) (1988), 1-18
- Beardsley, Monroe C. Aesthetics from Classical Greece to the Present, A Short History, Tuscaloosa and London, 1966
- Cacciatore, Giuseppe. “Alberto Caracciolo interpreter of Croce”. Archivio di Storia Della Cultura, 19, (2006) Croce, Benedetto. Aesthetic as Science of Expression and General Linguistic, Part II (trans. Douglas Ainslie), Cambridge University Press, 1922
- Croce, Benedetto and Gullace, Giovanni. Benedetto Croce's Poetry and Literature: An Introduction to Its Criticism and History. Southern Illinois University Press, 1981
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- Tunalı, İsmail. Benedetto Croce Estetiğine Giriş. Ayrıntı Basımevi. Ankara, 2019
Abstract
This essay might be considered an attempt to analyze Croce’s philosophical discourse in general, where he points out his thoughts as a “humanistic alternative to the consolations of religion and metaphysics”; and, to argue whether his aimed task was successful, especially in setting a strict distinction between his philosophical perspective and his claimed anti-metaphysical position. The first major step to take, is to focus on his essentialist philosophy of art, namely, “art as expression”; and second, his division of knowledge between theoretical and practical, which he claimed as products of the main directions of the human mind or human consciousness which Croce called “spirit”, or, of that which “really” exists. Initially, we could argue that even this presupposition could be considered as highly metaphysical.
Keywords
References
- Abbott, Don Paul. “The Doctrine of Double Form: Benedetto Croce on Rhetoric and Poetics”. Philosophy & Rhetoric, 21(1) (1988), 1-18
- Beardsley, Monroe C. Aesthetics from Classical Greece to the Present, A Short History, Tuscaloosa and London, 1966
- Cacciatore, Giuseppe. “Alberto Caracciolo interpreter of Croce”. Archivio di Storia Della Cultura, 19, (2006) Croce, Benedetto. Aesthetic as Science of Expression and General Linguistic, Part II (trans. Douglas Ainslie), Cambridge University Press, 1922
- Croce, Benedetto and Gullace, Giovanni. Benedetto Croce's Poetry and Literature: An Introduction to Its Criticism and History. Southern Illinois University Press, 1981
- Croce, Benedetto. Breviary of Aesthetics: Four Lectures. University of Toronto Press, 2007
- Edman, Irwin. “The Conduct of Life by Benedetto Croce & Arthur Livingston”. The Journal of Philosophy, 22(20), 556–559, (1925)
- Giovanna, Pinna. “The Aesthetics of Idealism: Facets and Relevance of a Theoretical Paradigm”. Rivista di Estetica, 81, 5-15, (2022)
- Gullace, Giovanni. “‘Poetry’ and ‘Literature’ in Croce’s La Poesia.” The Journal of Aesthetics and Art Criticism, 19(4), 453–461, (1961)
- Kemp, Gary. Croce’s Aesthetics, in https://plato.stanford.edu/entries/croce-aesthetics/ Date: 21.12.2021, 2021
- O'Connor, Peg. “Cressida J. Heyes, Line Drawings: Defining Women through Feminist Practice”. Hypatia, 20(2), 194-197, (2005)
- Paci, Luca. Antimetaphysics as Analytical Method in Croce's Conception of History. Swansea University (United Kingdom), 2004
- Peters, Rik. History as Thought and Action: The Philosophies of Croce, Gentile, de Ruggiero and Collingwood. Andrews UK Limited, 2013
- Raven, Michael J. “Explaining Essences”. Philosophical Studies, 178(4), 1043-1064, (2021)
- Shusterman, Richard. “Somaesthetics at the Limits”. The Nordic Journal of Aesthetics, 19(35), (2008)
- Shusterman, Richard. “Analytic Aesthetics, Literary Theory, and Deconstruction”. The Monist, 69(1), 22-38, (1986)
- Tunalı, İsmail. Benedetto Croce Estetiğine Giriş. Ayrıntı Basımevi. Ankara, 2019
Details
| Primary Language | English |
|---|---|
| Subjects | Aesthetics, Metaphysics , Philosophy of Art, Contemporary Philosophy |
| Journal Section | Research Articles |
| Authors | |
| Publication Date | May 7, 2024 |
| Submission Date | December 14, 2023 |
| Acceptance Date | April 29, 2024 |
| Published in Issue | Year 2024 Issue: 37 |
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