ABSTRACT

What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and the sociology of the sciences, explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of them with illustrations, present evidence that popular images of the sciences are based upon abstract theories rather than facts, and, equally, images of scientists are stimulated by imagination rather than historical knowledge.

part I|51 pages

Popularizing Science Images

chapter 2|19 pages

Science Images between Scientific Fields and the Public Sphere

A Historiographical Survey 1

part II|43 pages

Towards a Science of Images

chapter 3|13 pages

Image Science

chapter 4|27 pages

Popular Images versus Self-Images of Science

Visual Representations of Science in Clipart Cartoons and Internet Photographs 1

part III|127 pages

Science Images

chapter 5|25 pages

The Frog's Two Bodies

The Frog in Science Images Bernd Hüppauf

chapter 6|33 pages

Science from Hell

Jack the Ripper and Victorian Vivisection

chapter 7|21 pages

The Scientist as Personality

Elaborating a Science of Intimacy in the Nadar/Chevreul Interview (1886)

chapter |18 pages

Visual Arguments

The Role of Images in Sciences and Mathematics 1

chapter |25 pages

Imagination, Multimodality and Embodied Interaction

A Discussion of Sound and Movement in Two Cases of Laboratory and Clinical Magnetic Resonance Imaging

part IV|14 pages

Science Images and Contemporary Art

chapter 10|12 pages

Neuroscience and Contemporary Art

An Interview

part V|84 pages

Images of Science

chapter 11|16 pages

Women Scientists in Mainstream film

Social Role Models—A Contribution to the Public Understanding of Science from the Perspective of Film Sociology

chapter 13|15 pages

The Ambivalence Towards New Knowledge

Science in Fiction Film 1

chapter 14|17 pages

Unforgettable?

Science, Prosthetic Memory, Film

chapter 15|22 pages

The Self-Referential Scientist

Narrative, Media, and Metamorphosis in Cronenberg's The Fly