Abstract
In highly controlled cuing experiments, conspecific gaze direction has powerful effects on an observer’s attention. We explored the generality of this effect by using paintings in which the gaze direction of a key character had been carefully manipulated. Our observers looked at these paintings in one of three instructional states (neutral, social, or spatial) while we monitored their eye movements. Overt orienting was much less influenced by the critical gaze direction than what the cuing literature might suggest: An analysis of the direction of saccades following the first fixation of the critical gaze showed that observers were weakly biased to orient in the direction of the gaze. Over longer periods of viewing, however, this effect disappeared for all but the social condition. This restriction of gaze as an attentional cue to a social context is consistent with the idea that the evolution of gaze direction detection is rooted in social communication. The picture stimuli from this experiment can be downloaded from the Psychonomic Society’s Archive of Norms, Stimuli, and Data, www.psychonomic.org/archive.
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This research was funded by a grant from the Natural Sciences and Engineering Council of Canada awarded to R.M.K. and by the Sobey Foundation’s partial funding of J.C.
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Dukewich, K.R., Klein, R.M. & Christie, J. The effect of gaze on gaze direction while looking at art. Psychonomic Bulletin & Review 15, 1141–1147 (2008). https://doi.org/10.3758/PBR.15.6.1141
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DOI: https://doi.org/10.3758/PBR.15.6.1141