미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관

@article{ART002608187},
author={ HIROSE EIKO and 권해주 },
title={미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관},
journal={日本語敎育},
issn={2005-7016},
year={2020},
number={92},
pages={201-222},
doi={10.26591/jpedu.2020..92.014},
url={http://dx.doi.org/10.26591/jpedu.2020..92.014}

TY - JOUR
AU - HIROSE EIKO
AU - 권해주
TI - 미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관
T2 - 日本語敎育
PY - 2020
VL -
IS - 92
PB - 한국일본어교육학회
SP - 201-222
SN - 2005-7016
AB - The objective of research is to study the view of family in Miyazaki Hayao's “Princess Mononoke”. This movie has been released in 1997, when a lot of youth problems arose in the chaos of values. And the historical background is Japan in the 15th century, when agriculture developed and the Japanese view of nature changed. Asitaka who had kicked out of his clan, love San who had been abandoned by his parents and raised by ‘Inugami’. The two became one and regenerated the dead forest. Here, I draw the theme that every human being deserves to be loved regardless of birth or status. Ashitaka had no blood family and Yakkuru, a mountain goat, was his only family. In the family of him, the pseudo󰠏family view based on animals appeared. In the family of San, the pseudo󰠏family view based on ‘Kami’ appeared. He and she chose to live separately in the village and in the mountains. Here, the de󰠏family view of the separate living of the couple has appeared. It was considered that the director suggested human existence and family freedom.
KW - 宮崎駿, 『もののけ姫』, 家族観, 個人化, カミ
DO - 10.26591/jpedu.2020..92.014
UR - http://dx.doi.org/10.26591/jpedu.2020..92.014
ER -

HIROSE EIKO and 권해주 (2020). 미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관. 日本語敎育, 92, 201- 222.

HIROSE EIKO and 권해주 . 2020, “미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관”, 日本語敎育, no. 92, pp. 201-222. Available from: doi:10.26591/jpedu.2020..92.014

HIROSE EIKO 권해주 et al. “미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관” 日本語敎育 92 pp. 201-222 (2020): 201.

HIROSE EIKO , 권해주 . 미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관 日本語敎育 [Internet]. 2020; 92: 201-222. Available from: doi:10.26591/jpedu.2020..92.014

HIROSE EIKO and 권해주 . “미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관” 日本語敎育 no.92 (2020): 201-222. doi: 10.26591/jpedu.2020..92.014

홈 권호 목록 논문 목록 논문 상세

미야자키 하야오(宮崎駿)의 『원령공주』(もののけ姫)에 나타난 가족관

日本語敎育

약어 : -

2020, no.92, pp.201 - 222

DOI : 10.26591/jpedu.2020..92.014

발행기관 : 한국일본어교육학회

연구분야 : 일본어와문학

HIROSE EIKO¹ , 권해주²

²경상대학교

인용한 논문 수 : 3 서지 간략 보기

초록

The objective of research is to study the view of family in Miyazaki Hayao's “Princess Mononoke”. This movie has been released in 1997, when a lot of youth problems arose in the chaos of values. And the historical background is Japan in the 15th century, when agriculture developed and the Japanese view of nature changed. Asitaka who had kicked out of his clan, love San who had been abandoned by his parents and raised by ‘Inugami’. The two became one and regenerated the dead forest. Here, I draw the theme that every human being deserves to be loved regardless of birth or status. Ashitaka had no blood family and Yakkuru, a mountain goat, was his only family. In the family of him, the pseudo󰠏family view based on animals appeared. In the family of San, the pseudo󰠏family view based on ‘Kami’ appeared. He and she chose to live separately in the village and in the mountains. Here, the de󰠏family view of the separate living of the couple has appeared. It was considered that the director suggested human existence and family freedom.

키워드

宮崎駿, 『もののけ姫』, 家族観, 個人化, カミ

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