Baxiang bian 八相變 is a Dunhuang bianwen 敦煌變文 based on the Baxiang story of Buddha. A Baxiang story consists of eight stages, from the Buddha’s birth to his death. Since the ‘xiang’ 相 of ‘Baxiang’ can be said to be a kind of scene, it is closely related to Buddhist paintings, similar to the ‘xiang’ in ‘bianxiang’ 變相. The relevance of this term to painting is one of the characteristics of the typical Dunhuang bianwen works, so this paper will analyze the characteristics of Baxiang bian from the perspective of pictorial storytelling.
One of the important elements in the pictorial storytelling of bianwen is the use of a verse-introductory formula. This formula is a unique phrase used when showing a picture to the audience at the beginning of verses. There are two types of verse-introductory formulas in bianwen: ‘~處, 若爲陳說’ and ‘當爾之時, 道何言語?’, and Baxiang bian uses the latter. Keeping the assumption that the form of the performance of bianwen may vary depending on the verse-introductory formula, this paper suggests that the storytelling of Baxiang bian did not use a picture scroll but rather used a mural scene or a large bianxiang containing several scenes Bianwen storytelling was a multimedia performance that included stories, songs, and pictures, and it was very popular at the time. People desire stable possession of popular stories, which leads to the production of works for reading. Since Baxiang bian was also a popular story performance, in this paper, the manuscript of Baxiang bian is considered to be an early form of written work, reflecting its popularity.
KCI 등재
보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작
Showing and Telling the Buddha Story: The Performance of Dunhuang Baxiang bian and the Production of Its Manuscripts
중국어문논총
약어 : 어문논총
2021 no.107, pp.197 - 225
DOI : 10.26586/chls.2021..107.009
발행기관 : 중국어문연구회
연구분야 : 중국어와문학
Copyright © 중국어문연구회
약어 : 어문논총
2021 no.107, pp.197 - 225
DOI : 10.26586/chls.2021..107.009
발행기관 : 중국어문연구회
연구분야 : 중국어와문학
Copyright © 중국어문연구회
Dunhuang bianwen, Baxiang bian, Verse-introductory formula, Pictorial storytelling, Multimedia performance, Manuscript for reading
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- 17. [학술지] 潘建國 / 1999 / 佛敎俗講、轉變伎藝與宋元說話 / 上海師範大學學報(社會科學版) / 28
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보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작
@article{ART002769327},
author={
정광훈
},
title={
보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작
},
journal={
중국어문논총
},
issn={1226-4555},
year={2021},
pages={197 - 225},
doi={10.26586/chls.2021..107.009},
url={http://dx.doi.org/10.26586/chls.2021..107.009}
TY - JOUR
AU - 정광훈
TI - 보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작
T2 - 중국어문논총
PY - 2021
IS - 107
PB - 중국어문연구회
SP - 197 - 225
SN - 1226-4555
AB - Baxiang bian 八相變 is a Dunhuang bianwen 敦煌變文 based on the Baxiang story of Buddha. A Baxiang story consists of eight stages, from the Buddha’s birth to his death. Since the ‘xiang’ 相 of ‘Baxiang’ can be said to be a kind of scene, it is closely related to Buddhist paintings, similar to the ‘xiang’ in ‘bianxiang’ 變相. The relevance of this term to painting is one of the characteristics of the typical Dunhuang bianwen works, so this paper will analyze the characteristics of Baxiang bian from the perspective of pictorial storytelling.
One of the important elements in the pictorial storytelling of bianwen is the use of a verse-introductory formula. This formula is a unique phrase used when showing a picture to the audience at the beginning of verses. There are two types of verse-introductory formulas in bianwen: ‘~處, 若爲陳說’ and ‘當爾之時, 道何言語?’, and Baxiang bian uses the latter. Keeping the assumption that the form of the performance of bianwen may vary depending on the verse-introductory formula, this paper suggests that the storytelling of Baxiang bian did not use a picture scroll but rather used a mural scene or a large bianxiang containing several scenes Bianwen storytelling was a multimedia performance that included stories, songs, and pictures, and it was very popular at the time. People desire stable possession of popular stories, which leads to the production of works for reading. Since Baxiang bian was also a popular story performance, in this paper, the manuscript of Baxiang bian is considered to be an early form of written work, reflecting its popularity.
KW - Dunhuang bianwen, Baxiang bian, Verse-introductory formula, Pictorial storytelling, Multimedia performance, Manuscript for reading
DO - 10.26586/chls.2021..107.009
UR - http://dx.doi.org/10.26586/chls.2021..107.009
ER -
정광훈 (2021). 보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작. 중국어문논총, 107, 197 - 225.
정광훈 . 2021, “보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작”, no.107, pp. 197 - 225. Available from: doi:10.26586/chls.2021..107.009
정광훈. “보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작“ 중국어문논총 107 pp. 197 - 225. (2021): 197.
정광훈 . 보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작 중국어문논총 [Internet]. 2021; 107, : 197 - 225. Available from: doi:10.26586/chls.2021..107.009
정광훈 . “보여주고 들려주는 붓다 고사 — 돈황본 ＜八相變＞의 공연 방식과 필사본 제작“ 중국어문논총 no.107 (2021): 197 - 225. doi: :10.26586/chls.2021..107.009