염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―

@article{ART001280840},
author={ 노연숙 },
title={염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―},
journal={한국문화},
issn={1226-8356},
year={2008},
number={43},
pages={375-400},
doi={10.22943/han.2008..43.017},
url={http://dx.doi.org/10.22943/han.2008..43.017}

TY - JOUR
AU - 노연숙
TI - 염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―
T2 - 한국문화
PY - 2008
VL -
IS - 43
PB - 서울대학교 규장각한국학연구원
SP - 375-400
SN - 1226-8356
AB - This thesis focuses on the specialty of post-coloniality found in Yeom Sang-seop’s novel, ‘Man Se Jeon’ using Homi Bhabha’s concepts of mimicry and hybridity. Lee In-wha, who is the main character and narrator in ‘Man Se Jeon’, belongs to a so-called of elite state as a foreigner student from Joseon. He stands in an intermediate position of an intelligentsia in a colonial country. This position, that is to say, Lee In-wha who belongs to the location in-between the imperial and colony, is the realization of the state of mental miscegenation, imitating imperial language and appearance, eventually, becoming hidden in the imperial. The mimicry in ‘Man Se Jeon’ thoroughly failed them as a colonial strategy to inject an imperial policy into colonials, on the other hand, was also an adaptative method of colonials to accept the attribute of imperial ruling themselves. In addition, Lee In-wha who was educated in an imperial educational system in Japan, did not have a thoroughly nationalist spirit ; he, however, is not a stereotyped character who accepts all aspects of Japan’s policy absolutely. And the appearance which ‘Chosenjin were disguised as Japanese’, colonials who imitated the behaviors of Japanese, is throughly broken up by the gaze of watcher/observer. ‘Man Se Jeon’ was famous as a novel which clearly shows the process of moving from Japan to Joseon. In this process, Lee In-Wha realized his position as a colonial himself. The problem is that this recognition leads against Lee In Wha, “to bring himself somewhere”, to grope for a kind of an alternative plan against the loss of a location where he believes he must stand. In Lee In-wha’s gaze, colonized Joseon and Chosenjin were increasingly losing their national identity, then imitating a Japanese life pattern or pressed by Japanese culture as a fragment belong to a part of imperial control. In the midst of this process, a birth of a mixed-blood baby exposes a cultural hybridity which has domesticated imperial taste, moral and spirit. Eventually, the appearance of Joseon is craved as a community cemetery which consists of anonymous corpses. In the novel, the difference between colonizer and colonist is described throughout an intimate relationship of Choson foreign student Lee In-wha and Japanese waitress shizuko’. Lee In-wha starts to find a way to overcome his complicated situation, changed through the death of his wife, Eulla’s cheating and shizuko’s change as undergraduate. He determined that he would choose neither Eulla nor shizuko, rather living alone and isolated himself. Here, his isolation can be read to mean his “freedom”. He entered into his own free square which mean ‘true freedom’ without headache. Lee In-wha transcends the relation of family and the destiny of Chosenjin as leaving Chosen, and he is willing to stand in the world of an individual, a third world, and not return to shizuko.
KW - 모방, 제국의 언어, 혼종성, 정신적인 혼혈, 탈식민주의
DO - 10.22943/han.2008..43.017
UR - http://dx.doi.org/10.22943/han.2008..43.017
ER -

노연숙 (2008). 염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―. 한국문화, 43, 375- 400.

노연숙 . 2008, “염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―”, 한국문화, no. 43, pp. 375-400. Available from: doi:10.22943/han.2008..43.017

노연숙 “염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―” 한국문화 43 pp. 375-400 (2008): 375.

노연숙 . 염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ― 한국문화 [Internet]. 2008; 43: 375-400. Available from: doi:10.22943/han.2008..43.017

노연숙 . “염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―” 한국문화 no.43 (2008): 375-400. doi: 10.22943/han.2008..43.017

홈 권호 목록 논문 목록 논문 상세

염상섭의 「만세전」연구 ― 탈식민주의 시각에서 본 ‘나’의 자리 찾기와 ‘일본인의 표상’을 중심으로 ―

한국문화

약어 : -

2008, no.43, pp.375 - 400

DOI : 10.22943/han.2008..43.017

발행기관 : 서울대학교 규장각한국학연구원

연구분야 : 기타인문학

노연숙¹

¹서울대학교

인용한 논문 수 : 9 서지 간략 보기

초록

This thesis focuses on the specialty of post-coloniality found in Yeom Sang-seop’s novel, ‘Man Se Jeon’ using Homi Bhabha’s concepts of mimicry and hybridity. Lee In-wha, who is the main character and narrator in ‘Man Se Jeon’, belongs to a so-called of elite state as a foreigner student from Joseon. He stands in an intermediate position of an intelligentsia in a colonial country. This position, that is to say, Lee In-wha who belongs to the location in-between the imperial and colony, is the realization of the state of mental miscegenation, imitating imperial language and appearance, eventually, becoming hidden in the imperial. The mimicry in ‘Man Se Jeon’ thoroughly failed them as a colonial strategy to inject an imperial policy into colonials, on the other hand, was also an adaptative method of colonials to accept the attribute of imperial ruling themselves. In addition, Lee In-wha who was educated in an imperial educational system in Japan, did not have a thoroughly nationalist spirit ; he, however, is not a stereotyped character who accepts all aspects of Japan’s policy absolutely. And the appearance which ‘Chosenjin were disguised as Japanese’, colonials who imitated the behaviors of Japanese, is throughly broken up by the gaze of watcher/observer. ‘Man Se Jeon’ was famous as a novel which clearly shows the process of moving from Japan to Joseon. In this process, Lee In-Wha realized his position as a colonial himself. The problem is that this recognition leads against Lee In Wha, “to bring himself somewhere”, to grope for a kind of an alternative plan against the loss of a location where he believes he must stand. In Lee In-wha’s gaze, colonized Joseon and Chosenjin were increasingly losing their national identity, then imitating a Japanese life pattern or pressed by Japanese culture as a fragment belong to a part of imperial control. In the midst of this process, a birth of a mixed-blood baby exposes a cultural hybridity which has domesticated imperial taste, moral and spirit. Eventually, the appearance of Joseon is craved as a community cemetery which consists of anonymous corpses. In the novel, the difference between colonizer and colonist is described throughout an intimate relationship of Choson foreign student Lee In-wha and Japanese waitress shizuko’. Lee In-wha starts to find a way to overcome his complicated situation, changed through the death of his wife, Eulla’s cheating and shizuko’s change as undergraduate. He determined that he would choose neither Eulla nor shizuko, rather living alone and isolated himself. Here, his isolation can be read to mean his “freedom”. He entered into his own free square which mean ‘true freedom’ without headache. Lee In-wha transcends the relation of family and the destiny of Chosenjin as leaving Chosen, and he is willing to stand in the world of an individual, a third world, and not return to shizuko.

키워드

모방, 제국의 언어, 혼종성, 정신적인 혼혈, 탈식민주의

참고문헌(38)

[단행본] 한기 / 1995 / 한국 근대소설의 길 in: 한국소설문학대계5 / 동아출판사
[단행본] 염상섭 / 1987 / 廉想涉全集 / 민음사
[단행본] 염상섭 / 2005 / 만세전 in: 한국문화전집 9 / 문학과지성사
[단행본] 염상섭 / 2004 / 만세전 in: 한국문학대표작선집 22 / 문학사상사
[단행본] 김윤식 / 1987 / 작가의 탄생-<만세전>의 세계 in: 염상섭 연구 / 서울대출판부
[단행본] 김상태 / 1987 / 염상섭 문학의 날과 씨 in: 염상섭 문학 연구 / 민음사 : 49
[기타] 조남현 / 염상섭 소설의 문학사적 자리매김을 위한 시론 : 80
[기타] 김원우 / 염상섭 소설로 가는 길 : 100
[기타] 유병석 / 염상섭의 초기 장편 소설 : 122
[기타] 송하춘 / 염상섭의 장편소설 구조 : 218
[기타] 김용균 / 현실인식의 비상과 추락 : 168
[단행본] 이현식 / 1998 / 식민지적 근대성과 민족문학 in: 염상섭 문학의 재인식 / 깊은 샘
[단행본] 이보영 / 2003 / 염상섭 소설의 민중적 성격 in: 염상섭 문학론 / 금문서적
[단행본] 김종균 / 1999 / 민족현실 대응의 두 양상-만세전과 두 출발 in: 염상섭 소설 연구 / 국학자료원
[단행본] 문학사와 비평연구회 / 1998 / 염상섭 문학의 재조명 / 새미
[학술지] 최태원 / 2001 / <묘지>와 <만세전>의 거리 - 묘지와 신석현 사건을 중심으로 / 한국학보
[학술지] 채호석 / 2001 / 염상섭 초기 소설론 : ｢만세전｣과 ‘무덤’ / 한국문학이론과 비평
[단행본] 나병철 / 2001 / 염상섭의 민족 의식과 타자성의 경험 in: 근대서사와 탈식민주의 / 문예출판사
[학술지] 김병구 / 2003 / 염상섭 소설의 탈식민성― <만세전>과 <삼대>를 중심으로 ― / 현대소설연구 18 : 173 ~ 196
[단행본] 서재길 / 2003 / 『만세전』의 탈식민주의적 읽기를 위한 시론 in: 한국 근대문학과 일본 / 소명출판 : 149
[학술지] 박상준 / 2006 / <만세전> 연구를 통해 본, 한국 근대문학 연구의 문제와 과제 / 현대문학의 연구 28 (28) : 207 ~ 237
[학위논문] 이영진 / 2004 / 상처 입은 제국주의
[학술지] 윤해동 / 2000 / 식민지 인식의 ‘회색지대’ : 일제하 ‘공공성’과 규율 권력 / 당대비평 13 (겨울) : 159
[단행본] 윤대석 / 2004 / 한국에서의 포스트콜로니얼 연구 / 문학동네
[단행본] 민승기 / 1996 / 바바의 모호성 in: 현대시사상
[단행본] 박상기 / 2003 / 탈식민주의의 양가성과 혼종성 in: 탈식민주의 / 문학과 지성사 : 226
[단행본] 윤대석 / 2002 / 일본의 그늘 in: 작가 : 48
[단행본] 미즈노 나오키 / 2007 / 일본의 식민지주의를 생각한다 in: 생활 속의 식민지주의 / 산처럼 : 26
[단행본] 이경원 / 1998 / 탈식민주의론의 탈역사성-호미바바의 ‘양면성’이론과 그 문제점 in: 실천문학
[단행본] 호미바바 / 2002 / 문화의 위치 / 소명출판
[단행본] 존 맥클라우드 / 2003 / 탈식민주의 길잡이 / 한울아카데미 : 89
[단행본] 本橋哲也 / 2006 / ポストコロニアリズム / 岩波新書 : 110 ~ 113
[단행본] 박주식 / 2003 / 제국의 지도 그리기- 장소, 재현 그리고 타자의 담론 in: 탈식민주의 / 문학과 지성사 : 280
[단행본] 염상섭 / 1987 / 남충서 in: 염상섭 전집 9 / 민음사 : 286
[단행본] 염상섭 / 1987 / 사랑과 죄 in: 염상섭 전집 2 / 민음사
[단행본] 고종석 / 1999 / 감염된 언어 / 개마고원 : 69
[단행본] 바트 무어-길버트 / 2001 / 탈식민주의! 저항에서 유희로 / 한길사 : 277 ~ 278
[단행본] Ania Loomba / 1998 / Colonialism/ Post colonialism / Routledge : 173