웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지

@article{ART002095976},
author={ 김수환 },
title={웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지},
journal={탈경계인문학Trans-Humanities},
issn={2092-6081},
year={2011},
volume={4},
number={2},
pages={101-123},
doi={10.22901/trans.2011.4.2.101},
url={http://dx.doi.org/10.22901/trans.2011.4.2.101}

TY - JOUR
AU - 김수환
TI - 웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지
T2 - 탈경계인문학Trans-Humanities
PY - 2011
VL - 4
IS - 2
PB - 이화여자대학교 이화인문과학원
SP - 101-123
SN - 2092-6081
AB - This article considers the cultural status of the “webtoon,” the internet-based comics as new-media contents in terms of its relation to the specific generation (youth in their twenties) mainly in charge of its production and consumption. For the younger generation of 21st century in Korea, the internet -- or web-space -- has tremendous meaning as an existential basis for molding a specific collective model of subjectivity. Briefly put, the internet as virtual space - a new semiosphere indispensable for the social existence of the new younger generation. The contemporary webtoon realm is one of the most densely populated places in this semiosphere, and its cultural significance appears to be increasing more and more. In the article, I will attempt an inquiry into one of the most interesting phenomena in the contemporary Korean webtoon realm, which is called “cripple taste [byongmat ] comics.” Nowadays, byongmat comics are a distinctive new trend in the realm of Korean webtoons and are gaining tremendous popularity among the younger generations. What is the essence of byongmat comics, and what characterizes their linguistic particularity? To answer these questions, I will make a close inquiry into Lee Mal Neon’s webtoon as a representative case study in terms of the sense of parody and surplusage, which constitutes psychological and esthetic essence of byongmat comics.
KW - 웹툰, 병맛만화, 인터넷, 이말년, 잉여, 패러디, 세대론
DO - 10.22901/trans.2011.4.2.101
UR - http://dx.doi.org/10.22901/trans.2011.4.2.101
ER -

김수환 (2011). 웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지. 탈경계인문학Trans-Humanities, 4( 2), 101- 123.

김수환 . 2011, “웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지”, 탈경계인문학Trans-Humanities, vol. 4, no. 2, pp. 101-123. Available from: doi:10.22901/trans.2011.4.2.101

김수환 “웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지” 탈경계인문학Trans-Humanities 4.2 pp. 101-123 (2011): 101.

김수환 . 웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지 탈경계인문학Trans-Humanities [Internet]. 2011; 4( 2), : 101-123. Available from: doi:10.22901/trans.2011.4.2.101

김수환 . “웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지” 탈경계인문학Trans-Humanities 4, no.2 (2011): 101-123. doi: 10.22901/trans.2011.4.2.101

홈 권호 목록 논문 목록 논문 상세

웹툰에 나타난 세대의 감성구조: 잉여에서 병맛까지

탈경계인문학Trans-Humanities

약어 : -

2011, vol.4, no.2, pp.101 - 123

DOI : 10.22901/trans.2011.4.2.101

발행기관 : 이화여자대학교 이화인문과학원

연구분야 : 기타인문학

김수환¹

¹한국외국어대학교

인용한 논문 수 : 34 서지 간략 보기

초록

This article considers the cultural status of the “webtoon,” the internet-based comics as new-media contents in terms of its relation to the specific generation (youth in their twenties) mainly in charge of its production and consumption. For the younger generation of 21st century in Korea, the internet -- or web-space -- has tremendous meaning as an existential basis for molding a specific collective model of subjectivity. Briefly put, the internet as virtual space - a new semiosphere indispensable for the social existence of the new younger generation. The contemporary webtoon realm is one of the most densely populated places in this semiosphere, and its cultural significance appears to be increasing more and more. In the article, I will attempt an inquiry into one of the most interesting phenomena in the contemporary Korean webtoon realm, which is called “cripple taste [byongmat ] comics.” Nowadays, byongmat comics are a distinctive new trend in the realm of Korean webtoons and are gaining tremendous popularity among the younger generations. What is the essence of byongmat comics, and what characterizes their linguistic particularity? To answer these questions, I will make a close inquiry into Lee Mal Neon’s webtoon as a representative case study in terms of the sense of parody and surplusage, which constitutes psychological and esthetic essence of byongmat comics.