『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주

@article{ART001542448},
author={ 조만호 and 정유선 },
title={『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주},
journal={비교문화연구},
issn={1598-0685},
year={2011},
volume={22},
pages={223-277},
doi={10.21049/ccs.2011.22..223},
url={http://dx.doi.org/10.21049/ccs.2011.22..223}

TY - JOUR
AU - 조만호
AU - 정유선
TI - 『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주
T2 - 비교문화연구
PY - 2011
VL - 22
IS -
PB - 경희대학교(국제캠퍼스) 비교문화연구소
SP - 223-277
SN - 1598-0685
AB - Tan Yuanjie(谭元杰) of CHINA COSTUME ART OF PEKING OPERA(『中国京剧服装图谱』) is 'Foreword' attention from the bar 'Formalism'. A note is makeup system from ever performances here, 'what kind of adaptation must be a corresponding type of costume should be worn.' This stance to 'type of person's identity and faced the scene correlated' with the actual performance tradition plays out is going and, while here the rules to capture the opera's on the character of 'identity and the circumstances under clothing' is defined. This position discussed previously 'Formalism' in line with the will he perform, and looks to meet the elements of production. This basic stance is clean up, while 'Old Beijing Opera costumes costumes taxonomy largely' literary costume' and 'militant outfit' into two groups divided over throughout steamroll surgery, because surely need to have a more systematic classification. The classification system was established as 'Part 1. Mang, Part 2. Pi, Part 3. Xi, Part 4. Kao, Part 5. YI'. In addition to these classification systems, as well as the aforementioned 'object theory' Given the symbolic significance of the capacity to keep in mind is necessary. Costumes conduct, character, situation, atmosphere and so the transport of charged symbols here, a target symbol of the system is the projection of water. This costume is detrimental to the mall for the positionsay, but I kept in mind damwongeolyi internationalization of Chinese culture. when you see the view from the perspective of semiotic systems for the sign, that the theater is necessary to complement. In this paper, 'Yi(衣)' costume on the corresponding point of the target compared to the China Culture Department of Theatre and Folklore methodology ran off and sprinting was to lay the groundwork for research.
KW - 담원걸 『中國京劇服裝圖譜』, 정형성, 한중문화비교, 연극학, 민속학
DO - 10.21049/ccs.2011.22..223
UR - http://dx.doi.org/10.21049/ccs.2011.22..223
ER -

조만호 and 정유선 (2011). 『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주. 비교문화연구, 22, 223- 277.

조만호 and 정유선 . 2011, “『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주”, 비교문화연구, vol. 22, pp. 223-277. Available from: doi:10.21049/ccs.2011.22..223

조만호 정유선 et al. “『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주” 비교문화연구 22 pp. 223-277 (2011): 223.

조만호 , 정유선 . 『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주 비교문화연구 [Internet]. 2011; 22 : 223-277. Available from: doi:10.21049/ccs.2011.22..223

조만호 and 정유선 . “『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주” 비교문화연구 22 (2011): 223-277. doi: 10.21049/ccs.2011.22..223

홈 권호 목록 논문 목록 논문 상세

『中國京劇服裝圖譜』의 衣 - 한중 연극의 비교학적 관점에서 접근한 해제와 역주

비교문화연구

약어 : -

2011, vol.22, pp.223 - 277

DOI : 10.21049/ccs.2011.22..223

발행기관 : 경희대학교(국제캠퍼스) 비교문화연구소

연구분야 : 문학

조만호¹ , 정유선²

¹상명대학교

²상명대학교

인용한 논문 수 : 1 서지 간략 보기

초록

Tan Yuanjie(谭元杰) of CHINA COSTUME ART OF PEKING OPERA(『中国京剧服装图谱』) is 'Foreword' attention from the bar 'Formalism'. A note is makeup system from ever performances here, 'what kind of adaptation must be a corresponding type of costume should be worn.' This stance to 'type of person's identity and faced the scene correlated' with the actual performance tradition plays out is going and, while here the rules to capture the opera's on the character of 'identity and the circumstances under clothing' is defined. This position discussed previously 'Formalism' in line with the will he perform, and looks to meet the elements of production. This basic stance is clean up, while 'Old Beijing Opera costumes costumes taxonomy largely' literary costume' and 'militant outfit' into two groups divided over throughout steamroll surgery, because surely need to have a more systematic classification. The classification system was established as 'Part 1. Mang, Part 2. Pi, Part 3. Xi, Part 4. Kao, Part 5. YI'. In addition to these classification systems, as well as the aforementioned 'object theory' Given the symbolic significance of the capacity to keep in mind is necessary. Costumes conduct, character, situation, atmosphere and so the transport of charged symbols here, a target symbol of the system is the projection of water. This costume is detrimental to the mall for the positionsay, but I kept in mind damwongeolyi internationalization of Chinese culture. when you see the view from the perspective of semiotic systems for the sign, that the theater is necessary to complement. In this paper, 'Yi(衣)' costume on the corresponding point of the target compared to the China Culture Department of Theatre and Folklore methodology ran off and sprinting was to lay the groundwork for research.