와카 표현과 공간 -『만요슈』를 중심으로-

구정호

doi:10.20404/jscau.2021.08.55.63

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저널정보

중앙대학교 일본연구소
일본연구 학술저널
일본연구 제55집
2021.8 63 - 79 (17page)
DOI : 10.20404/jscau.2021.08.55.63

저자정보

구정호 (중앙대학교)

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초록·키워드

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This study surveys Waka in terms of the concepts of visible and invisible space. Some Waka is written with either a visible or an invisible spatial setting, and some have both spatial settings. The different spatial settings reflect the author’s generational mood or style. This study clarifies the definitions of visible and invisible space and tries to interpret Man’yōshū 8–12 from the perspective of the definitions. The analysis identifies the fact that Waka commonly uses visible space. Zōka and Sōmon in Volumes 8 and 10 are the specific visible space where the main body of the Waka is presented. “Waka as the direct expression of one’s mind” in Volumes 11 and 12 does not specify a particular visible space, but a space where the main body of the Waka has emerged. Finally, Jōka emerges as “Waka in the form of metaphorical expression of objects.” In most cases, these Waka contain spatial aspects and use Jokotoba to describe the real scenes in one’s view.

#만요슈(Manyoshu) #가시공간(visible space) #불가시공간(unvisible space) #정술심서(Waka of direct expression of one's mind) #기물진사(Waka of metaphorical expression with objects)