초록

The purpose of this study is to illustrate the aesthetic characteristics of Yang Mu’s 楊牧(1940~ ) late poems, especially focusing on his post-1968 works. Although he adopted the pen name Yang Mu in 1972, his fourth collection of poems The Legends 傳說, which was published in 1971, was a turning point in his poetry both in thematic devices and in stylistic endeavors. In comparison with his pre-1966 poems, the poems in The Legends display more than somewhat epiclike qualities with the use of not only dramatic monologue but also weaving a narrative, even in the short poetry. At the same time, the aesthetic characteristics appeared in The Legends has continued to affect his later poems up until his fourteenth collection of poems, Songs Long and Short 長短歌行(2013). This study contains four parts, together with introduction and conclusion. Part One brings out the question how we classify Yang Mu’s whole poetry according to period. Generally, literary critics classify his poetry in two periods: the early period and the later period. And what distinguishes the early period from the later period? Part Two examines his fourth collection of poetry The Legends and revaluates his distinctive aesthetic qualities with two poems “Jizi of Yanling Hangs Up His Sword延陵季子掛劍” and “Screen屏風 .” Part Three analyzes his two famous poems “Solitude孤獨”(1976) and “Someone Asks Me about Justice and Righteousness有人問我公理和正義的問題”(1984), especially focusing on his best known style of nostalgia with the existential(in the case of “Solitude”) and his political engagement that was seen as an allusion to the Kuomintang’s entrenched discrimination against the native Taiwanese(in the case of “Someone Asks Me about Justice and Righteousness”). Part Four concludes that his brilliant poetic achievement with classical Chinese imagination and literal tone as well as experiments of Western poetic techniques is superb and has a special significance in that his poems will be served as a useful guide for his successors.

키워드

Yang Mu, Yang Mu’s Late Poetry, Yang Mu’s Poetics, Ching-Hsien Wang, The Legends

참고문헌(24)open

  1. [단행본] 楊牧 / 1977 / 葉珊散文集 / 洪範書店

  2. [단행본] 楊牧 / 1978 / 楊牧詩集I(1956~1974) / 洪範書店

  3. [단행본] 陳芳明 / 1978 / 鏡子和影子 / 志文

  4. [단행본] 楊牧 / 1979 / 文學知識 / 洪範書店

  5. [단행본] 楊牧 / 1990 / 柏克萊精神 / 洪範書店

  6. [단행본] 王晉民 / 1994 / 臺灣當代文學史 / 廣西人民敎育出版社

  7. [단행본] 楊牧 / 1995 / 楊牧詩集II(1974~1985) / 洪範書店

  8. [단행본] 楊牧 / 1997 / 徐志摩散文選 / 洪範書店

  9. [학위논문] 何雅雯 / 2001 / 創作實踐與主體追尋的融攝: 楊牧詩文硏究

  10. [단행본] 張惠菁 / 2004 / 楊牧 / 聯合文學

  11. [학위논문] 徐培晃 / 2005 / 楊牧詩風的遞變過程

  12. [단행본] 楊牧 / 2010 / 楊牧詩集III(1986~2006) / 洪範書店

  13. [단행본] 楊牧 / 2013 / 長短歌行 / 洪範書店

  14. [학위논문] 劉益州 / 2011 / 意識的表述:楊牧詩作中的生命時間意涵

  15. [학술지] 奚密 / 2013 / 楊牧: 現代漢詩的Game-Changer / 揚子江評論 (1)

  16. [학술지] 翟月琴 / 2013 / “文字是我們的信仰”：訪談詩人楊牧 / 揚子江評論 (1)

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  18. [단행본] Průšek, Jaroslav / 1980 / The Lyrical and the Epic: Studies of Modern Chinese Literature / Indiana University Press

  19. [단행본] Yeh, Michelle / 1991 / Modern Chinese Poetry: Theory and Practice since 1917 / Yale University Press

  20. [단행본] Allen, Joseph R / 1993 / Forbidden Games & Video Poems: The Poetry of Yamg Mu and Lo Ch’ing / University of Washington

  21. [단행본] Smith, Lawrence R. / 1998 / No Traces of the Gardener:Poems by Yang Mu(Poetry 1958~1991) / Yale University Press

  22. [학술지] Wong, Lisa L. M. / 2006 / Taiwan, China, and Yang Mu’s Alternative to National Narratives / Comparative Literature and Culture 8 (1) : 87 ~ 107

  23. [학술지] Lingenfelter, Andrea / 2014 / ‘Imagine a Symbol in a Dream’: Translating Yang Mu / Chinese Literature Today 4 (1) : 56 ~ 63

  24. [학술지] 정우광 / 2017 / ‘葉珊’ 시기 楊牧의 시 연구 / 중국문화연구 (36) : 55 ~ 75