≪夷堅志≫에서 보이는 宋代祠廟信仰

@article{ART002020806},
author={ 김주영 },
title={≪夷堅志≫에서 보이는 宋代祠廟信仰},
journal={중국어문학},
issn={1225-083X},
year={2015},
number={69},
pages={85-111},
doi={10.15792/clsyn..69.201508.85},
url={http://dx.doi.org/10.15792/clsyn..69.201508.85}

TY - JOUR
AU - 김주영
TI - ≪夷堅志≫에서 보이는 宋代祠廟信仰
T2 - 중국어문학
PY - 2015
VL -
IS - 69
PB - 영남중국어문학회
SP - 85-111
SN - 1225-083X
AB - Song dynasty is the period that various cultures had developed as the cultures from previous generations were passed on while enjoyed the social and economic abundance. Completion of imperial examination system, growth of citizen class, and diffusion of culture manifested Song dynasty’s popular, secular and utilitarian character, and the cultural feature that contained folk belief centered on shrine under the atmosphere of integration of Confucianism, Buddhism, and Taoism is prominent. Main beliefs that appear in ≪Yijianzhi≫ are Cheng Huang, Tu di, Wu Tong, Zi Tong, there folk beliefs showed certain characteristics. Cheng Huang and Tu di had distinct tendency of satellization following the development of economy and cities. Wu Tong reflected the psychology on faith of Chinese seeking utilitarian goal and emphasized secular social atmosphere due to rapid growth of economy. Zi Tong, typical product that was created by the experience of transformation influenced under the Song dynasty imperial examination, especially reflected on the class of intelligence.
KW - 夷堅志, 宋代, 民間信仰, 祠廟, 사회문화특색
DO - 10.15792/clsyn..69.201508.85
UR - http://dx.doi.org/10.15792/clsyn..69.201508.85
ER -

김주영 (2015). ≪夷堅志≫에서 보이는 宋代祠廟信仰. 중국어문학, 69, 85- 111.

김주영 . 2015, “≪夷堅志≫에서 보이는 宋代祠廟信仰”, 중국어문학, no. 69, pp. 85-111. Available from: doi:10.15792/clsyn..69.201508.85

김주영 “≪夷堅志≫에서 보이는 宋代祠廟信仰” 중국어문학 69 pp. 85-111 (2015): 85.

김주영 . ≪夷堅志≫에서 보이는 宋代祠廟信仰 중국어문학 [Internet]. 2015; 69: 85-111. Available from: doi:10.15792/clsyn..69.201508.85

김주영 . “≪夷堅志≫에서 보이는 宋代祠廟信仰” 중국어문학 no.69 (2015): 85-111. doi: 10.15792/clsyn..69.201508.85

홈 권호 목록 논문 목록 논문 상세

≪夷堅志≫에서 보이는 宋代祠廟信仰

중국어문학

약어 : -

2015, no.69, pp.85 - 111

DOI : 10.15792/clsyn..69.201508.85

발행기관 : 영남중국어문학회

연구분야 : 중국어와문학

김주영¹

¹경북대학교

인용한 논문 수 : 2 서지 간략 보기

초록

Song dynasty is the period that various cultures had developed as the cultures from previous generations were passed on while enjoyed the social and economic abundance. Completion of imperial examination system, growth of citizen class, and diffusion of culture manifested Song dynasty’s popular, secular and utilitarian character, and the cultural feature that contained folk belief centered on shrine under the atmosphere of integration of Confucianism, Buddhism, and Taoism is prominent. Main beliefs that appear in ≪Yijianzhi≫ are Cheng Huang, Tu di, Wu Tong, Zi Tong, there folk beliefs showed certain characteristics. Cheng Huang and Tu di had distinct tendency of satellization following the development of economy and cities. Wu Tong reflected the psychology on faith of Chinese seeking utilitarian goal and emphasized secular social atmosphere due to rapid growth of economy. Zi Tong, typical product that was created by the experience of transformation influenced under the Song dynasty imperial examination, especially reflected on the class of intelligence.