Skip to content
Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton April 9, 2024

Italian places in Japanese manga: a study on topophilia in graphic narratives

  • Francesco-Alessio Ursini and Giuseppe Samo EMAIL logo

Abstract

The goal of this paper is to offer an analysis on how Italian places act as key narrative units in Japanese manga. Building on a quantitative and qualitative corpus study, the paper investigates how culturally salient locations are embedded in these narratives. It is first shown that authors develop salient locations (“places”) as distinct entities playing key roles within narrative structures. It is then shown that these representations of places follow principles of cultural relevance, popularity, historical and geographical faithfulness. This is the case because authors creating manga set in Italy share knowledge and appreciation of Italian places and their cultural import with readers. These results are framed in a theory of geo-criticism and in a possible worlds analysis of places in fiction, hereby extended to graphic narratives.


Corresponding author: Giuseppe Samo, Department of Linguistics, Beijing Language and Culture University, Beijing, China, E-mail:

References

Allen, Graham. 2011. Intertextuality, 2nd edn. London: Routledge.10.4324/9780203829455Search in Google Scholar

Ameel, Lieven & Terhi Ainiala. 2018. Toponyms as prompts for presencing place—making oneself at home in Kjell Westö’s Helsinki. Scandinavian Studies 92(1). 195–210. https://doi.org/10.5406/scanstud.90.2.0195.Search in Google Scholar

Amano, Kozue. 2002–2008. Aria. 14 voll. Tokyo: Mag Garden.Search in Google Scholar

Amano, Kozue. 2002. Aria, vol. 1. Tokyo: Mag Garden.Search in Google Scholar

Araki, Hirohiko. 1995-1999. JoJo no Kimyō na Bōken, part 5: Vento Aureo, 1. Tokyo: Shueisha.Search in Google Scholar

Barber, Christie, Mio Bryce & Jason, Davis. 2010. The making of killer cuties. In Josef Steiff & Tristan Dan Tramplin (eds.), Anime and philosophy: Wide eyed wonder, Open Court books, 13–26. Virginia: McLean.Search in Google Scholar

Bateman, John. 2008. Multimodality and genre: A foundation for the systematic analysis of multimodal documents. Palgrave McMillan.10.1057/9780230582323_5Search in Google Scholar

Bateman, John & Janina Wildfeuer. 2014. Defining units of analysis for the systematic analysis of comics: A discourse-based approach. Studies in Comics 5(2). 371–401. https://doi.org/10.1386/stic.5.2.373_1.Search in Google Scholar

Bateman, John, Janina Wildfeuer & Tuomo Hiippala. 2017. Multimodality: Foundations, research and analysis – a problem-oriented introduction. Berlin: Mouton de Gruyter.10.1515/9783110479898Search in Google Scholar

Bell, Alice & Marie-Laure Ryan (eds.). 2019. Possible worlds theory and contemporary narratalogy. Lincoln, NE: University of Nebraska Press.Search in Google Scholar

Berndt, Jacqueline, Kazumi Nagaike & Fugsami Ogi (eds.). 2019. Shōjo across media: Exploring “girl” practices in contemporary Japan. London: Palgrave Macmillan.10.1007/978-3-030-01485-8Search in Google Scholar

Berndt, Jacqueline & Bettina Kümmerling-Meibeuer. 2013. Manga’s cultural crossroads. London: Routledge.10.4324/9780203366196Search in Google Scholar

Bryce, Mio & Jason Davis. 2010. An overview of manga genres. In T. Johnson-Woods (ed.), Manga: An Anthology of global and cultural perspectives, 34–61. London: Continuum.Search in Google Scholar

Bummawashi, Noda-tachi & Junichi Watanabe. 2021. Comic-ban Sekai no Denki: Galileo. Tokyo: Kanshu.Search in Google Scholar

Cohn, Neil. 2014. Building a better ‘comic theory’: Shortcomings of theoretical research on comics how to overcome them. Studies in Comics 5(1). 57–75. https://doi.org/10.1386/stic.5.1.57_1.Search in Google Scholar

Cortsen, Rikke Platse. 2012. Comics as assemblage: How spatio-temporality in comics is constructed. Copenhagen: Copenhagen University.Search in Google Scholar

Cresswell, Tim. 2014. Place: A short introduction. Hoboken, New Jersey: Blackwell.Search in Google Scholar

Doležel, Lubomir. 1998. Heterocosmica: Fiction and possible worlds. Amsterdam: John Benjamins.10.56021/9780801857492Search in Google Scholar

Forceville, Charles. 2020. Visual and multimodal communication: Applying the relevance principle. Oxford: Oxford University Press.10.1093/oso/9780190845230.001.0001Search in Google Scholar

Genette, Gérard. [1972] 1980. Narrative discourse: An essay in method. Ithaca: Cornell University Press.Search in Google Scholar

Groensteen, Thierry. 2007. The system of comics. Jackson, Mississippi: The University of Mississippi Press.Search in Google Scholar

Groensteen, Thierry. 2013. Comics and narration. Jackson, Mississippi: The University of Mississippi Press.10.14325/mississippi/9781617037702.001.0001Search in Google Scholar

Kagano, Mihachi. 2011–2018. Ad Astra: Scipio to Hannibal [Ad. Astra: Scipio and Hannibal]. 15 voll. Tokyo: Shueisha.Search in Google Scholar

Kinsella, Sharon. 2000. Adult manga: Culture and power in contemporary Japan. London: Curzon.Search in Google Scholar

Kovacs, George & Chris John Marshall. 2016. In George Kovacs & C. W. Marshall (eds.), Son of classics and comics. Oxford: Oxford University Press.Search in Google Scholar

Kukkonen, Karin. 2011. Comics as a test case for transmedial narratology. SubStance 40.1. 34–51. https://doi.org/10.1353/sub.2011.0005.Search in Google Scholar

Kukkonen, Karin. 2013. Studying comics and graphic novels. Malden, MA: Wylie-Blackwell.10.1002/9781394261079Search in Google Scholar

Lefèvre, Pascal. 2000. Narration in comics. Image (&) Narrative 1(1). 1–12.Search in Google Scholar

Lefèvre, Pascal. 2007. The construction of space in comics. Image (&) Narrative 16(1). 1–12.Search in Google Scholar

Lefèvre, Pascal. 2011. Some medium-specific qualities of graphic sequences. Substance 124/40(1). 14–33. https://doi.org/10.1353/sub.2011.0007.Search in Google Scholar

Lorenz, Maike, Gustaf Aisch & DenisKokkelink. 2012. Datawrapper: Create charts and maps [software]. Available at: https://www.datawrapper.de.Search in Google Scholar

Malpas, Jeff. 2018. Place and experience: A philosophical topography. Sydney: Routledge.10.4324/9781315265445Search in Google Scholar

Martin, Thomas. 2019. ’As many worlds as original artists’: Possible worlds theory and the literature of fantasy. In Alice Bell & Marie-Laure Ryan (eds.), Possible worlds Theory and contemporary narratalogy, 201–224. Lincoln, NE: University of Nebraska Press.10.2307/j.ctv8xng0c.13Search in Google Scholar

McCloud, Scott. 1993. Understanding comics: The invisible art. Northampton, Masschussetts: Tundra Publishing.Search in Google Scholar

Mikkonen, Kai. 2011. “There is no such thing as pure fiction”: Impossible worlds and the principle of minimal departure reconsidered. Journal of Literary Semantics 40(2). 111–131. https://doi.org/10.1515/jlse.2011.007.Search in Google Scholar

Mikkonen, Kai. 2012. Graphic narratives as a challenge to transmedial narratology: The question of focalization. Amerikastudien 56(4). 637–652.Search in Google Scholar

Miyake, Toshio. 2010. Occidentalismi: La narrativa storica giapponese. Venezia, Italy: Cafoscarina.Search in Google Scholar

Miyake, Toshio. 2012. In Graziella Parati (ed.), Italy made in Japan: Occidentalism, self-orientalism, and Italianism in contemporary Japan, new perspectives in Italian cultural studies, vol. 1, vol. 1, 195–213. Lanham: Rowman & Littlefield – Fairleigh Dickinson University Press.Search in Google Scholar

Miyake, Toshio. 2013. In Kazumi Nagaike & Katsuhiko Saganuma (eds.), Doing occidentalism in contemporary Japan: Nation anthropomorphism and sexualized parody in Axis Power Hetalia. [online]. Transformative Works and Cultures, special issue, 12 March, Transnational Boys’ Love Fan Studies. Cardiff, Wales: Transformative Works and Cultures.10.3983/twc.2013.0436Search in Google Scholar

Miyake, Toshio. 2015. In Paolo Calvetti & Marcella Mariotti (eds.), Towards critical occidentalism studies: Re-Inventing the ‘West’ and ‘Japan’ in Mangaesque popular cultures, contemporary Japan. The challenge of a world economic power during a period of transition, vol. 1, 93–116. Venezia: Edizioni Ca’ Foscari – Digital Publishing.Search in Google Scholar

Miyake, Toshio. 2016. In Nissim Otmazgin & Rebecca Suter (eds.), History as sexualized parody, rewriting history in manga: Stories for the nation, 151–173. Palgrave Macmillan.10.1057/978-1-137-55143-6_8Search in Google Scholar

Miyake, Toshio. 2018. Il Giappone made in Italy: civiltà, nazione, razza nell’orientalismo italiano, Orizzonti giapponesi: Ricerche, idee, prospettive, Roma. Aracne 1. 607–628.Search in Google Scholar

Nagai, Go. 1999–2003. La Divina Comedia. 3 voll. Tokyo: Kodansha.Search in Google Scholar

NHK. 2008. Broadcasting culture research institute. In Nihonjin no sukina mono (Quello che piace ai Giapponesi). Tokyo: Nihon hōsō shuppan kyōkai.Search in Google Scholar

Ohkubo, Kei. 2013–ongoing. Arte. 14 voll. Tokyo: Kodansha.Search in Google Scholar

Ono, Natsume. 2005. Ristorante Paradiso, vol. 1. Tokyo: Kodansha.Search in Google Scholar

Ono, Natsume. 2005–2006. Ristorante Paradiso. 3 voll. Tokyo: Kodansha.Search in Google Scholar

Pellitteri, Marco. 2010. The dragon and the dazzle: Models, strategies, and identities of Japanese imagination: A European perspective. Latina: Tunué.Search in Google Scholar

Pellitteri, Marco. 2018. Mazinga Nostalgia. Storia, valori e Linguaggi della Goldrake Generation dal 1978 al Nuovo Secolo. Latina: Tunué.Search in Google Scholar

Pratt, Henry J. 2009. Narrative in comics. Journal of Aesthetics and Art Criticism 67(1). 107–117. https://doi.org/10.1111/j.1540-6245.2008.01339.x.Search in Google Scholar

Rizzo, Tiziano. 1983. I Ponti di Venezia. Rome: Newton Compton Editore.Search in Google Scholar

Ryan, Marie-Laure. 1991. Possible worlds, artificial intelligence and narrative theory. Bloomington: University of Indiana Press.Search in Google Scholar

Ryan, Marie-Laure. 2001. The narratorial functions: Breaking down a theoretical primitive. Narrative 9(1). 146–152.Search in Google Scholar

Ryan, Marie-Laure, Kenneth Foote & Maoz Azaryahu. 2016. Narrating space/spatializing narrative: Where narrative theory and geography meet. The Ohio State University Press.10.2307/j.ctv2t46rcpSearch in Google Scholar

Sakai, Naoki. 2002. West. s.v. In Sandra Buckley (ed.), Encyclopedia of contemporary Japanese culture, 564–565. London & New York: Routledge.Search in Google Scholar

Soryou, Fuyumi. 2006–2021. Cesare. In Hakai no Souzousha. 13 voll. Tokyo: Kodansha.Search in Google Scholar

Soryou, Fuyumi. 2006. Cesare. In Hakai no Souzousha. 1 vol. Tokyo: Kodansha.Search in Google Scholar

Smith, Matthew J. & Randy Duncan. 2012. Critical approaches to comics: Theories and methods. New York: Routledge.10.4324/9780203839454Search in Google Scholar

Stein, Daniel & Jan- Noël Thon (eds.). 2015. From comic strips to graphic novels: Contributions to the theory and history of graphic narrative, 2nd edn. Berlin: De Gruyter.10.1515/9783110427660Search in Google Scholar

Sugaya, Atsuo & Tatsuyoshi Kobayashi. 2010. Leonardo da Vinci the life of a genius, vol. 1. Tokyo: Kodansha.Search in Google Scholar

Tally, Robert Thomas. 2011. Geocritical explorations: Space, place, and mapping in literary and cultural studies. New York: Palgrave Macmillan.10.1057/9780230337930Search in Google Scholar

Thompson, Jonathan. 2007. Manga: The complete guide. San Francisco: Del Rey.Search in Google Scholar

Ursini, Francesco-Alessio. 2017. Where is the future? An analysis of places and location processes in comics. In Francesco-Alessio Ursini, Adnan Mahmutovic & Frank Bramlett (eds.), Visions of the future in comics: International perspectives, 63–94. Jefferson, North Carolina: McFarland Press.Search in Google Scholar

Ursini, Francesco-Alessio. 2021. Representations of Roman emperors across different comic traditions: A comparative study. Status Qaestionis 21(1). 57–93.Search in Google Scholar

Ursini, Francesco-Alessio & Giuseppe Samo. 2022a. Names for urban places and conceptual taxonomies: The view from Italian. Spatial Cognition & Computation 22(3–4). 264–292. https://doi.org/10.1080/13875868.2021.1954186.Search in Google Scholar

Ursini, Francesco-Alessio & Giuseppe Samo. 2022b. The Purple Thread: The reception of Prince as a fictional character in graphic narratives. Accepted 10-12-3022 (est. 01-2023). Studies in Comics 13(2). 91–118. https://doi.org/10.1386/stic_00089_1.Search in Google Scholar

Virdis, Daniela Francesca, Elisabetta Zurru & Ernestine Lahey (eds.). 2021. Language in place. Stylistic perspectives on landscape, place and environment. Amsterdam: John Benjamins.10.1075/lal.37Search in Google Scholar

Wazarai, Shizuya. 1997–2009. Kento Akokuden Cestus., 15. Tokyo: Akukensha.Search in Google Scholar

Westphal, Bertrand. 2007. La Géocritique. Réel, fiction, espace. Paris: Minuit.Search in Google Scholar

Westphal, Bertrand. 2016. La Cage des Méridiens. La littérature et l’art contemporain face à la globalisation. Paris: Minuit.Search in Google Scholar

Westphal, Bertrand. 2019. Atlas des égarements. Études géocritiques. Paris: Minuit.Search in Google Scholar

Yamazaki, Mari. 2006. Moretsu! Italy kazoku, vol. 1. Tokyo: Ehichonsha.Search in Google Scholar

Yamazaki, Mari. 2008–2013. Thermae Romae. Tokyo: Ehichonsha.Search in Google Scholar

Yamazaki, Mari. 2009. Thermae Romae, vol. 1. Tokyo: Ehichonsha.Search in Google Scholar

Yamazaki, Mari. 2009–current. Plinius. 4 voll. Tokyo: Ehichonsha.Search in Google Scholar

Yamazaki, Mari. 2010. Italy kazoku Fuurin kazan. 1 vol. Tokyo: Ehichonsha.Search in Google Scholar

Yasuhiko, Yoshikazu. 1998. Waga Na Wa Nero. 2 voll. Tokyo: NHK.Search in Google Scholar

Published Online: 2024-04-09
Published in Print: 2024-04-25

© 2024 Walter de Gruyter GmbH, Berlin/Boston

Downloaded on 11.6.2024 from https://www.degruyter.com/document/doi/10.1515/jls-2024-2003/html
Scroll to top button