Elsevier

Optics and Lasers in Engineering

Volume 107, August 2018, Pages 182-193
Optics and Lasers in Engineering

Visualization of acoustic waves in air and subsequent audio recovery with a high-speed schlieren imaging system: Experimental and computational development of a schlieren microphone

https://doi.org/10.1016/j.optlaseng.2018.03.015Get rights and content

Highlights

  • A high-speed schlieren system is used to image acoustic waves propagating in air.

  • From this footage, audio signals are recovered through image and signal processing.

  • Signals are recovered for a wide range of frequencies relevant to human hearing.

  • The contrast sensitivity function of the human visual system limits wave visibility.

  • A computational approach is not limited by the contrast sensitivity function.

Abstract

We present a high-speed single-mirror double-pass coincident schlieren system and corresponding algorithms for the visualization of acoustic waves and recovery of their associated audio signals. Schlieren systems are extensively used to visualize strong shockwaves, such as those from supersonic motion or explosions. Recently, they have also been used to visualize lower amplitude non-linear acoustic phenomena, such as the weak shockwaves arising from impact events including hand claps, belt snaps, and towel cracks. Time-invariant sounds produced by loudspeakers have also been imaged, in one case leading to frequency analysis, although these have been limited to high-frequency signals at very high sound pressure levels. The research presented here shifts the focus from sound-field visualization towards audio signal recovery. A comprehensive exploration of several parameters for imaging sound sources, including frequency, wave form, and amplitude, is presented. In addition, we address for the first time the recovery of phase information, which would be essential for speech intelligibility, and the more general case of non-contact sound field reconstruction. Through image and signal processing, it is shown that audio signals can be recovered from high-speed schlieren video whose acoustic waves appear to be below the limit of visibility, and were previously deemed unrecoverable by virtue of their frequency and sound pressure level. This includes sounds at frequencies and loudnesses relevant for human hearing, producing the first ‘schlieren microphone’.

Introduction

In this paper, a novel application of schlieren imaging is presented: a ‘schlieren microphone’, whereby the optical technique for visualizing refractive inhomogeneities is exploited to indirectly recover audio signals from sound waves. An experimental setup specifically designed for the imaging of acoustic waves relevant to human hearing is combined with software built to recover audio signals from high-speed schlieren footage. This research goes beyond previous attempts to ‘visualize’ weak shockwaves or acoustic waves: there is an emphasis on signal fidelity in processing, and an evaluation of the limitations of this approach.

Previous attempts to visualize sound with schlieren techniques have mostly been limited to violent or extreme acoustic phenomena such as shock waves, as they give sharp variations of refractive indices in air. These have often relied on significant image processing that would corrupt information contained in the schlieren images. Despite the vast amounts of data present, schlieren images of sound waves have not routinely been analyzed with digital signal processing, with the images instead being inspected and remarked upon qualitatively.

In the current research, the focus is shifted away from visualization and towards signal processing and recovery. Using high-speed photography and an inexpensive schlieren apparatus, it is shown that audio signals can be recovered from schlieren high-speed video, at frequencies and sound pressure levels (SPLs) previously considered too optically weak for schlieren applications. The limitations of this setup are explored through an extensive array of tests, validated by independent microphone measurements, as well as simulated schlieren video.

Section snippets

Theoretical principles of schlieren imaging

Schlieren imaging is a classical-optics technique for making visible the refractive inhomogeneities in transparent media. Used extensively since the nineteenth century, the technique has found numerous applications in diverse academic and industrial fields such as optics, fluid dynamics [1], aerodynamics, ballistics [2], [3], ultrasonic acoustics [4], epidemiology [5], phonetics [6], and marine biology [7]. The history, optical principles, and much of the modern research surrounding schlieren

Experimental setup

A representation of the single-mirror double-pass coincident schlieren apparatus used to collect all the data featured here is shown in Fig. 2. The system has been optimized to be both affordable and highly sensitive, using a double-pass setup first described in 1933 by Taylor and Waldram [25], for which sensitivity is double that of a single-pass schlieren method, as light is deflected by refractive inhomogeneities for both the incoming illuminator and outgoing analyzer beams.

As shown in Fig. 2

Visibility of acoustic waves and image denoising

Although the motion of acoustic waves propagating through the image is perceptible when viewing the raw schlieren images as a video, for individual frames it is not possible to clearly discern the contrast variations. There are several post-processing routes to improving visibility, each with different advantages and disadvantages.

Unsharp masking is the simplest way to improve the visibility of intensity variations. However, due to the sensitivity of the schlieren system, there are many other

Simulated schlieren video of acoustic waves

Generating simulated schlieren video from specified signals and noise can validate the analysis of experiment-derived footage. A sound field can be modeled as sinusoidal waves propagating from a point source. The amplitude of pressure, P, throughout the sound field at time t and a radial distance r from the source is given by: P(r,t)=P0r2exp{i(κrωt)}·exp{ϕ(ω)}1r2exp{i(κrωt)}whereω=2πf

For a harmonic series of sine waves, with the hth harmonic corresponding to an angular frequency ωh, the

Results

Fig. 10 shows the overall work flow of the schlieren microphone; from high-speed schlieren footage of a sound field to the recovered audio signal. Both the point-source assumption model and the auto-correlation of signals are shown as possible routes to relate and combine each pixel’s time series data into a single signal.

Three example results are provided in Fig. 11, showing the recovered audio for both high-frequency and low-frequency waveforms, and both sine and square waveforms. For the

Discussion

The origins of sound visualization go back as far as the phonautrograph of Édouard Léon Scott de Martinville, patented in 1857. While the phonautograph produced visual outputs for the inspection of acoustic information, it was only after Thomas Edison’s invention of the phonograph that the focus of acoustic engineering shifted from visualizing sound to recovering audio information for playback and analysis. With the work presented here, a similar shift is made for a different imaging modality

Conclusion

We have found that schlieren imaging is a promising imaging modality for the study of acoustic phenomena occupying the domain of human hearing. Previous work has largely been confined to discussions of visibility, which is subject to the limitations of the human visual system, particularly for lower-frequency waveforms. By focusing on a computational and image-processing approach, we have extended the scope of acoustic phenomena for which schlieren imaging may have potential applications.

Funding

This work was supported by the Arts and Humanities Research Council grant AH/N001222/1. JSH is funded by the Andrew W. Mellon Foundation and Clarendon Fund through the Oxford interdisciplinary research center, TORCH. The equipment used was developed with funding from the Oxford University John Fell Fund grant 102/630.

Acknowledgments

The authors wish to thank the researchers of the interdisciplinary Ordered Universe Project for many stimulating discussions on sound, prompted by studying the writings of thirteenth century scientist and bishop, Robert Grosseteste (c. 1170-1253). The initial inspiration for this work came from studying Grosseteste’s pioneering text on sound and phonetics, De generatione sonorum (On the Generation of Sound). We also thank Rebekah White and Sarah Regan for their comments on an earlier version of

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