Abstract
In the music recording industry, 5.1 surround sound productions have already become popular throughout the world, and music engineers have developed more advanced and complicated recording techniques for improved sound. This paper introduces the newly developed and integrated 5.1 surround recording techniques, which many engineers have proved effective over many years, and demonstrate some of the techniques used in specific venues under different situations and with various types of instrumentation. This paper consists of two different parts: Part 1 is about general stereo recording techniques and its developments and Part 2 is about specific concepts of 5.1 microphone techniques, such as the Sony/Philips and Fukada Tree microphone techniques used in 5.1 surround sound productions by combining and adapting from the best of the stereo techniques.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Eargle, J.: Handbook of Recording Engineering, 4th edn. Springer (2005)
Clifford, M.: Modern Audio Technology. A Handbook for Technicians and Engineers. Prentice Hall (1992)
Owsinski, B.: Recording Engineer’s Handbook. Mix Books (2006)
White, G.D.: The Audio Dictionary, 2nd edn. University of Washington Press (1991)
Surround Sound - System Fukada Tree (NHK) (2005), http://www.nhk.or.jp/digital/en/technique/02.html
Berg, J., Rumsey, F.: Validity of Selected Spatial Attributes in the Evaluation of 5-channel Microphone Techniques, University of Surrey (2002)
Holman, T.: 5.1 Surround Sound: Up and Running. Focal Press (2000)
Masataka, N.: AES Technical Council Document ESTD1001.0.01-05. AES convention paper (2002)
AES 112th Convention, Munich, Germany (2002)
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2012 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
Yun, Y., Cho, T. (2012). The Study on Surround Sound Production beyond the Stereo Techniques. In: Kim, Th., Mohammed, S., Ramos, C., Abawajy, J., Kang, BH., Ślęzak, D. (eds) Computer Applications for Web, Human Computer Interaction, Signal and Image Processing, and Pattern Recognition. ICHCI WSE SIP 2012 2012 2012. Communications in Computer and Information Science, vol 342. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-35270-6_19
Download citation
DOI: https://doi.org/10.1007/978-3-642-35270-6_19
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-35269-0
Online ISBN: 978-3-642-35270-6
eBook Packages: Computer ScienceComputer Science (R0)