Abstract
This article presents the preliminary results of an exploratory experiment with BilliArT, an interactive installation for music-making. The aim is to extract useful information from the combination of different ways to approach to the art work, namely that of conservation, of the aesthetic experience, and of the artistic creativity. The long-term goal is to achieve a better understanding of how people engage with interactive installations, and ultimately derive an ontology for interactive art.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
A video is available at: http://federicabressan.com/daphnet/billiart/.
References
Abowd, G., Mynatt, E.: Charting past, present, and future research in ubiquitous computing. ACM Trans. Comput. Hum. Interact. 7(1), 29–58 (2000)
Auslander, P.: Liveness: Performance in a Mediatized Culture. Psychology Press, London (1999/2008)
Auslander, P.: The performativity of performance documentation. PAJ: J. Perform. Art 28(3), 1–10 (2006)
Balarajan, M., Gray, M., Mitchell, M.: Monitoring equality: developing a gender identity question. Research report 75, National Centre for Social Research - Equality and Human Rights Commission, London (2011)
Bedford, C.: The viral ontology of performance. In: Perform, Repeat, Record: Live Art in History, pp. 77–87. Intellect (2012)
Bellotti, F., Lee, B.K.K., Moreno-Ger, P., Berta, R.: Assessment in and of serious games: an overview. Adv. Hum. Comput. Interact. 11, 1 (2013)
Bressan, F., Canazza, S.: The challenge of preserving interactive sound art: a multi-level approach. Int. J. Arts Technol. 7(4), 294–315 (2014)
Bressan, F., Vets, T., Leman, M.: A multimodal interactive installation for collaborative music making: from preservation to enhanced user design. In: Proceedings of the European Society for Cognitive Sciences of Music (ESCOM) Conference, pp. 23–26. Ghent University, Ghent (2017)
Briet, S.: What is Documentation? English Translation of the Classic French Text. Scarecrow, Toronto (1951/2006)
Burger, B., Thompson, M.R., Luck, G., Saarikallio, S., Toiviainen, P.: Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement. Front. Psychol. 4, 183 (2013)
European Commission: Manual for gender mainstreaming: employment, social inclusion and social protection policies. Technical report, European Commission (2008)
Phelan, P.: Unmarked: The Politics of Performance. Routledge, London (1993)
Saenen, I.P., et al.: BilliARt - AR carom billiards - exploration of an AR framework. In: Stephanidis, C. (ed.) HCI 2014. CCIS, vol. 434, pp. 636–641. Springer, Cham (2014). https://doi.org/10.1007/978-3-319-07857-1_112
Vets, T., Nijs, L., Lesaffre, M., Moens, B., Bressan, F., Colpaert, P., Lambert, P., de Walle, R.V., Leman, M.: Gamified music improvisation with billiart: a multimodal installation with balls. J. Multimodal User Interfaces 11(1), 25–38 (2017)
Visi, F., Coorevits, E., Miranda, E., Leman, M.: Effects of different bow stroke styles on body movements of a viola player: an exploratory study. In: Proceedings ICMC—SMC—2014, Athens, Greece, pp. 1368–1374 (2014a)
Visi, F., Schramm, R., Miranda, E.: Gesture in performance with traditional musical instruments and electronics: use of embodied music cognition and multimodal motion capture to design gestural mapping strategies. In: Proceedings of the 2014 International Workshop on Movement and Computing, pp. 100:100–100:105. IRCAM, ACM, New York (2014b)
Acknowledgements
This study was partially supported by the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 703937.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 ICST Institute for Computer Sciences, Social Informatics and Telecommunications Engineering
About this paper
Cite this paper
Bressan, F., Finbow, A., Vets, T., Lesaffre, M., Leman, M. (2018). Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making. In: Brooks, A., Brooks, E., Vidakis, N. (eds) Interactivity, Game Creation, Design, Learning, and Innovation. ArtsIT DLI 2017 2017. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, vol 229. Springer, Cham. https://doi.org/10.1007/978-3-319-76908-0_1
Download citation
DOI: https://doi.org/10.1007/978-3-319-76908-0_1
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-76907-3
Online ISBN: 978-3-319-76908-0
eBook Packages: Computer ScienceComputer Science (R0)