Introduction
The Relevance of the Concept of Style in the Archaeology of Art
Style has been and still is a core concept in the field of the archaeology of art for several reasons, including the fact that it is a twofold term: on the one hand, it refers to a quality of past human actions which is perceptible in material culture, and on the other hand, it is also an analytical tool that allows archaeologists to find continuities and discontinuities in the archaeological record which are relevant to answering questions about the spatial and temporal distribution and qualities of cultural practices.
The concept of style is particularly relevant to the archaeology of art because, among other material culture products, the creation of artworks (be them artifacts or structures) entails the manipulation of form, color, size, texture, volume, etc. in the creation process, which often show recurrent patterns that evidence the underlying operation of stylistic rules and habits. Thus, style...
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Further Reading
Bettinger, R.; R. Boyd & P. Richerson. 1996. Style, function and cultural evolutionary processes, in H. Maschner (ed.). Darwinian archaeologies: 133-164. New York: Plenum.
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Shennan, S. & J. Wilkinson. 2001. Ceramic style change and neutral evolution: a case study from Neolithic Europe. American Antiquity 66(4): 577-593.
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Sanz, I.D., Fiore, D. (2014). Style: Its Role in the Archaeology of Art. In: Smith, C. (eds) Encyclopedia of Global Archaeology. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-0465-2_1276
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